I’ve started a minor binge of Disney movies consumption i.e. 3 or 4 movies per week. Why am I doing this? Well, I came to the 3 Act structure late, I only learnt about it through the online courses I did several years ago, before that, I thought the 3 Act structure was just the beginning, the middle and the end. And after talking to a friend, I realised using movies as opposed to novels as templates to dissect the 3 Act structure would be more efficient simply because you could go through a movie in much less time than a book. So that started me on this track, especially after I stumbled upon a site with all the Disney movies. And then I thought I might as well catch up on those I haven’t seen before.
Like every other child, I was a fan of Disney cartoon movies and then I just outgrew cartoons altogether. So needless to say, I stopped watching Disney movies. So what am I finding during this latest bout of Disney movie watching? Well, the main thing is that I think the simple story sometimes is the best. In light of recent scripts, whether TV drama or movie worldwide, that basically stank. Stank in the sense that they were written hobbled from the first, when the script writers did not focus on the basics but instead on gimmicks, on adding bits of supposedly clever dialogue, humour, side plots that overwhelmed the main plot, twist endings that came out of nowhere etc. etc. etc. Something I haven’t yet seen in Disney movies.
What else am I finding? Well, I have grown up and I enjoy them less. What I mean by that is that they no longer held the same magic than if I was to watch them as a child. That comes with age and maturity, I guess, nowadays the stories that tend to strike a chord with me tend towards more sophistication and complexity. On the other hand, it is still pleasant to pass the time watching a simple story that touches on really basic stuff that everyone needs to know about life, all under the guise of my self-education on writing.
And that’s my share for today. See you all next time.
I’ve been trying to get closer to my emotions- I’m predominantly rational with only a tiny wisp of sentimentality so I’m very hard to be moved to tears or be driven by impulse. Not that I have not ever experienced those things, just that they happen rarely and don’t stay with me for long. And I’m starting to find it as a potential impediment to my writing. Well, perhaps not an impediment per se but something that blocks me my way to better. So for that end, I’ve been re-reading a bunch of online novels where I clearly remember I was moved and trying to capture the moment at which I was moved and figuring out the how and why.
Today I’m going to share one such moment with all of you which I call the “One Step Away” Moment. What it actually entails was actually the reforming of one of the antagonists of the novel, when she realised she had taken the wrong turn in life and changed tact.
So what am I finding touching about this? I think it’s the idea that one choice or one perception change is all that matters, to eventually spark a whole series of changes that create totally different life outcomes. Personally, I think that’s an especially empowering concept. Have I experienced this first hand? I guess, in some ways, yes, although in my case it’s more of a case of mistaken conception of an academia career in the before case versus a research day-time job coupled with a life-time writing ‘career’ in the after case. So it’s not a dramatic reforming or reversal in life direction in my case, more of a shift in focus. But yeah, it earned my empathy, pure and simple.
This is my share for today. Come back next week for my December Book Discoveries. And if you have similar moments to share, let me know in the comments.
I’ve blogged extensively about my reading taste. I thought today I will do an ‘old wine in new bottle’ trick and turn to my story taste in TV. By TV, I actually mean both TV and movies since I have identical taste in the type of stories I enjoy (plus I’ve always preferred watching a movie at home on a DVD relative to the cinema, I personally never liked the cinema surround sounds etc.).
First up, I like fast-paced stories because the most I want to get out of a TV series or a movie is entertainment value. So I watch a fair bit of action movies/blockbusters and a new pickup was the spy thriller genre of TV series from mainland China, set in the period of WWII when Japan invaded China. I also tended to enjoy a fair bit of the Hong Kong TV series in the romantic comedy genre that I watched, mainly taking the form of a couple starting off ‘on the wrong foot’ with each other. Basically, there was plenty of witty dialogue where the two bickered with each other and plenty of humour. They are like the equivalent of light reading to me.
The three types of stories that I really like or really empathise with me, however, remain the following, not in any order:
- Heartwarming stories: I tend to prefer family love as a theme. For example, I quite liked the Family Man starring Nicholas Cage.
- Uplifting stories: They can be the ‘pursuit of a dream story’- I felt like I would be interested in watching The Pursuit of Happyness ever since I heard about its synopsis. Or there is this Hong Kong TV series made in 1989 starring Stephen Chow that I’ve watched three times already- I basically keep watching re-runs of it whenever it comes on. It’s called the Final Combat and is the story of an unlikely hero. I admit I was in it more for the humour and the dynamics between Stephen Chow and the female lead as a child but I also think it speaks to me on a personal level and reinforces my worldview, hence uplifting to me personally.
- Insightful stories: I never liked any of the Oscar nominees due to slow pace and sometimes content that I have no personal knowledge like Dances with Wolves (I was in primary school and still living in Hong Kong when it came out). But I enjoy stories that can shed useful insights into life. Nothing springs to mind at the moment but I think that’s because I don’t go out looking for these types of stories, I just encounter them on ‘chance’.
I’m not sure how close my TV story taste conforms to my book taste, to be honest. At least, I’m not seeing a very close connection. But perhaps my taste does change across different mediums through which I consume a story. What about all of you?
Happiness has a slightly different meaning for everyone. Recently I had this really resonant one that came to me (or rather it was a rediscovery, I think I re-discover things a lot. I’ve recently thought about my core personality and it hadn’t changed from when I was a teenager) so I thought it worthwhile to record it here.
So what is my personal definition for happiness? I can basically sum it up in exactly four words: loving what I love. Coincidentally, its Chinese equivalent is also exactly four Chinese characters and the wording would be more or less identical.
So what does loving what I love entail exactly? For me, it’s the following 3 things:
- Loving myself every day
- Doing what I love every day
- Loving who I love every day
I am a simple person who has simple pleasures and having the above already makes me full. Once in a while, I get a bit more ambitious than usual and my mood goes up and down. But this personal definition of happiness is my anchor and brings me back every time.
And how does my current life tally? I’m hitting it on all 3 counts. Upon reflection, I tend to hit it on all 3 counts for most of my life so far. And I hope that I will continue to keep this in my sight and continue hitting it on all 3 counts in the future.
That’s my short share for today. Feel free to let me know in comments if you feel up to sharing your own definition of happiness.
Ever since the Corona virus lock-down I’ve been working at home and I have to admit that it’s testing my self-discipline (then again, it’s coinciding with the structural edit on my WIP that I realise I have to do and I have to admit that I’m procrastinating because I dread the amount of work I have to do). To be honest, I’m just very lethargic towards writing right now. Today, I completely ran out of ideas of what to write about and in my infinite boredom leading to FB surfing, I took a “which 2 animals summarise your two sides” quizz with the following results:
You got: Eagle and Owl
You are intelligent and wise beyond your years. Your intelligence is vast, and you have common sense along with book smarts. Above all, you have perspective that always allows you to see the bigger picture.
And this inspired me to write about myself because this should be the easiest thing to write. And let me start off by saying the quizz result above is a relatively good fit for me on an intellectual/mental level. Relationship-wise, I’m loyal and guarded, tending to stick with a small social circle with a few who are very close to my heart but otherwise being very slow to warm up to new acquaintances (Internet excepted). My love life is non-existent as I’ve mentioned before. My medium/long term ambition is to debut with my first Chinese fantasy series and I’m currently working on book 1.
And this is all I want to share today. See you all next week.
Aside from the about page, I don’t think I’ve properly introduced myself so let’s do this here up front. I’m a Chinese who migrated to Australia at the age of 12 after I completed primary school. Because I came from Hong Kong, I lean towards modern values (at least in gender roles and such) but I also lean towards the conservative at the same time (I have all these conceptions about proper behaviour for women like not swearing, not that I judge others on them, just that I don’t do that myself and I prefer women not doing them). I also love ancient Chinese literature: the lyrical prose of Chinese poetry, classics like the Dream of the Red Chamber and just in general the magic of the Chinese language which encompass idioms, folklore etc.
Now onto the meat of this post: in what forms do the Chinese influence in my writing occur? Well, one obvious answer is in my chosen sub-genre of Chinese fantasy. As a Chinese who loves fantasy, I write in the genre that I love to read and bring my ethnical identity into the genre. So that includes creating an entire world of fictional ancient China with fantasy elements, borrowing heavily from folklore and real history but ‘subverting’ them with my imagination as well as attempting to capture the essence and nuances of living as a Chinese in Chinese society.
Then, there are less obvious influences. One example, which I detected long after it happened, was during that abandoned attempt at novelling aka the Genghis Khan and wife story. From the get go, each chapter of that story takes the format of being driven by exactly two events when I outline it. The two events might or might not be interrelated but there are always two for each chapter. That wasn’t something I did intentionally, just the way my mind told me to structure it in. Then one day years down the track, like last year when I was outlining my WIP and taking an online writing course on outlining, it suddenly hit me that this 2-event chapters style was actually the influence of Chinese classics: essentially the ones I had read all had chapter headings that were in the couplet format. For those who don’t know, couplets are basically 2 phrases each of 5 or 7 Chinese characters and the words or characters in each part of the couplet are supposed to have correspondence to each other. A well-known example of a couplet is “Distance tests a horse’s strength, time reveals a person’s heart.” where the correspondences are distance to time, tests to reveals etc. I’ve now migrated away from this format but I was quite surprised that my Chinese reading managed to creep into my writing that way.
My fellow writer followers, how has your self-identify cropped up in your writing? Let me know in comments. For my reader followers, hope that you found this post interesting.
I am someone with selective taste and that extends to the number of genres I read as well as my hobbies. I’ve previously blogged about jigsaw puzzles, I constantly blog about reading and today I’m going to talk about my gaming hobby and how it figures into my writing.
Firstly, I do two different types of gaming: PC gaming which are mostly hidden objects but sometimes include match 3 and time management games. I was very into roleplaying games but I had given up the PC variety because they were too time consuming. Nowadays, I only play in roleplaying games of the dice-rolling variety (ala Dungeon and Dragons or Steve Jackson & Ian Livingstone plot-your-own-advenutre/gaming books for those who don’t know what I’m talking about) and that is confined to one weekend session every week.
So how does gaming figure into my writing? Well, it:
- Fills up my creative well by exposing me to ideas about character, plot, elements of magic etc.
- Similar to the above, I do need a little pure leisure time for a balanced life and gaming fills that spot
- For the roleplaying game, I have hopes that it would eventually feedback into improving one of my shortcomings as a writer which is in characterisation. I often have difficulty getting into my characters and my weekly session gives me an opportunity to become another character for 4 hours every week so I’m hoping that eventually I will be able to apply such role-playing skills in getting closer into my characters so that I can write about them.
What other hobbies do my writer followers have that figure into your writings? I would be interested to hear about them in comments.
The previous two posts have all been about my writing so I thought I would change the pace a bit by talking about a topic that leans towards the reading side: a reflection of the attributes of my favourite characters and what they show about me.
Firstly, I like a female protagonist who is proud. I mean, I like Mr Darcy too so it’s not just female necessarily but I definitely have a special fondness for female protagonists who are proud so Lizzy Bennett is of course high on my list. As for connection to myself, it’s probably obvious but I am proud (though most probably won’t guess it) and I like being proud. That is not at all the same as being arrogant, just saying but you get the idea.
Secondly, I have a fondness for characters who are a bit ‘bumbling’- that’s the closest word I can come to. I cannot think of a good well-known example in fantasy example for your clumsy mage archetype and the ‘duckling to swan’ female protagonists that are more prominent features of women fiction. In similar veins, I like characters who are a bit odd in some way or socially awkward. For example, I’m rather taken with Sue Grafton’s Kinsey Millhone, a female sleuth who has a general people issue that crops up in many areas including relatives, romance and when she works on her cases.
Finally, I have a preference for characters who are morally good. If you wonder how come I’ve never given an example in relation to my favourite genre of fantasy, well, this is where it comes in. In at least 80% of the fantasy I’ve read and enjoyed, they are good triumph over evil stories so you get the picture. Having said that, I think I’ve come to appreciate grey more than black and white as I age so my definition of good has changed or relaxed. But I’ve never been interested in a ‘fallen into the darkness’ story such as how Anniken Skywalker became Darthvader. I think this reflects my own moral stance but also I think it’s just part of my reading taste in general.
And there you go: I think that’s a pretty neat summary of myself at your disposal. 🙂
As a change, this week we are skipping author interviews. It will come back next week though.
Thought I will do a re-run on this since my stance on it has changed yet again now that I have broken off my association with the epub completely.
Previously, I’ve talked about myself as a writer and the pros and cons of short story writing as I experience it. In this post, I’m just going to cut to the chase and say that I’ve now definitely decided that for now, short story won’t be my focus unless I am doing a collaborative piece with another writer. Not only am I less experienced with the short story form but through personal experience, I’ve found that I really enjoy planning and writing a short story far less than I do of a novel.
I have a sprawling mind as I think Robin Hobb puts it, my natural tendency is to think up multi-plot stories held up by a substantial side cast. As such, I feel that it’s just a hassle to limit myself to the short story form which I feel, given my current expertise, is better for single-plot stories.
However, here comes the twist to the short story and me. Through chance, I’ve met another author on Facebook who has chatted me up to do a collaborative piece with him which is a short story/novella. We are going to finalise the story concept this month and then start writing this collab piece.
To an event experienced yesterday and the one who sent me the email:
Forget and forgive,
I’m not ready for you.
Fully aware of my own faults,
I was nevertheless hurt.
I’m applying the best cure for my wounds:
Time and Distance Away.
On a more uplifting note, concurrent to the above event I remembered the following from when I first got my graduate job after being one of the latest of my Honours cohort to get an offer:
Don’t lament Closed Doors,
They are often the wrong ones for you.
The Right Door will open
If you are Patient and Persistent.