I’ve been slacking off in reading published books due partially to the ease of phone reading on the train but also due to some weird conflict between fantasy reading and writing that’s unique to me. Besides the completed reads, I also tried to read The Grace of Kings by Ken Liu but decided I would have a second try this year. I also did not finish the Dragonbone Chair and the associated trilogy as I had intended. I don’t yet have plans to have another go at it in the immediate term. But I do think it’s worth returning to eventually. 

Anyway, below is what I’ve read between July 2019 to now:

Death at the Wychebourne Follies by Amy Myers

I didn’t guess the culprit so that’s good. Otherwise, a little on the cozy side which is not really my thing but overall, solid work.

The Secret of Chimneys by Agatha Christie

This is my 2nd Battle and I still like it a fair bit, not as well as I like my first but it’s still got an interesting lead and I didn’t guess the ending which is always what I’m looking for.

Dreamers’ Pool by Juliet Marrilier 

I almost thought I picked up the wrong genre (romantic fantasy or fantasy romance) again. But actually, while it is a fantasy where romance figures heavily into the main plot, I am relieved and pleasantly surprised that it went beyond that. In fact, this is the ‘perfect’ book of light reading for me featuring magic and mystery and a strong female main character that I can relate to.

River of Stars by Guy Gavriel Kay

Firstly, as an ethnic Chinese reading this novel, I commend Kay on his research and besides minor quibbles, I really think his fictional Northern Song Chinese setting came across as authentic and compelling.

I had never read him or Chinese historical fantasy before so I had little expectations of what I will be getting. I was pleased to learn that this is a tale where Kay re-imagines history in a fantasy setting even though the fantasy element is on the slight side. Nevertheless, since my one true love in reading remains fantasy and I know of the major history events that this book relates this does capture my interest. I’m also satisfied with the open-ended ending which leaves me with some hope that Ren Daiyan, the fictional equivalent of Yue Fei, potentially did not meet his bad end (I doubt it given his character but at least the ending dangles some hope in front of you). There was one point where I hoped the ending would be more positive towards Ren Daiyan but I think the current ending fits the book better so I’m content.

Overall, I think Kay is a writer that I will want to add to my list of favourite authors. I think he has a good handle of the omniscient voice even though it made the opening (specifically chapter 1, I definitely started getting into the book after chapter 2 when Lin Shan appeared) a bit slow and at times I felt like the omniscient voice was interference (but other times it felt insightful and deep). I also appreciate his prose- lyrical and full of imagery. However, the main characters (Ren Daiyan and Lin Shan) are only a part of this epic tale, small vehicles in some sense. I do like epic tales and I like this aspect of this book well enough but this does stop me from bonding with the characters and does take away from this book.

Songs of Insurrection by JC Kang

I DNFed this book, the start of the Dragon Songs Saga. I got to the half way mark and then I just didn’t feel like I have the patience to keep on reading it. Perhaps because I came to this straight after River of Stars, I had high expectations of a Chinese fantasy series written by a fellow ethnic Chinese. But I think why I DNFed it was partially this high expectations, partially I was the wrong reader for this series and partially I just had issues with various aspects of the story or the writer’s way of doing things.

Firstly, I didn’t feel like this story really needed to be set in a fictional ancient China and in fact, this story was more like ancient China and a bunch of ethnic Chinese characters shoved into the conventional fantasy setting than an authentic Chinese fantasy story like River of Stars. Specifically, I felt like the conveyance of Chinese elements were primarily delivered through scattered Chinese terms emphasised via italics and sometimes the interchangeable use of specific Chinese terms and their meaning in English just seemed completely random to me. Perhaps that’s my unique experience as a Chinese and this book is really targeted at the ESB market so I’m just the wrong audience for this.

The other aspect in which I think I’m mismatched with this book is that the portrayal of the female protagonist Princess Kaiya mainly resulted in my boredom and disbelief. I felt like perhaps this book should be labelled under romance as a large part of the first half of the book seemed to concern Princess Kaiya being smitten with this foreign prince. This does have a narrative purpose in making readers question whether her actions are really decided by her or she was under undue influence but an unfortunate side-effect was that she was always feeling like her stomach was full of butterflies or other similar wording which really got to the point of being repetitive. Also, Princess Kaiya came across as a sheltered wall-flower who kept second-guessing her own actions and then stick to them anyway. I do get it on one level- it’s a reflection of her being a teenager and/or the Chinese upbringing where you have a fear of going against rules. But again it gets repetitive when she keeps doing that. The same goes for her emotional range-she’s forever fluctuating between determination and doubt/apprehension, even when she’s supposedly drunk (I don’t drink alcohol so I have no first hand experience to relate to but I felt like her thought pattern is the same whether she’s sober or drunk which just doesn’t seem right. I also feel like in this story she fluctuates between being sober and drunk within the span of three or four hours or that’s the way it appears to me). So all in all, whenever we arrived in a chapter in the princess’s POV, I felt an urge to skip it except for the event of the chapter. The pacing of the chapters is nice and quick, that’s the main merit I see in this book and why I stick to the half way mark. That and the other story line with Tian and Jie who were portrayed a bit better in that I couldn’t find direct fault with them but there was nothing to endear them to me either.

The above were my main disconnect from this book but some other nitpicks I also have included: the tendency for readers to get confused when a scene contains multiple sidecasts and the author’s attempt to make them distinct through coupling names and physical attributes don’t always work; world building tidbits like there being three moons and their usage in time measurement that came into the story and then had little narrative functions and sometimes only caused confusion or just in general diverted attention from the story.

Perfume: The Story of a Murderer by Patrick Suskind

Picked this up for my overseas holiday read and I think it’s a good choice- The chapters are short enough that I can breeze through it. As for the story itself, I do think it has all the qualities of a classic. While the omnipotent voice creates distance compared to contemporary novels, I am still captivated by the anti-hero of the story enough to look him up and learn that he is completely fictional. I am also impressed by the depiction of the sense of smell that is central to this novel which then branches out to the other senses. Overall, a good choice for long time readers of the mystery genre looking for a high quality light read.

I was going to do another book discovery back in Oct but then I decided I wanted to save it for end of the year so that I can do book discoveries in Mar, Jun etc. as opposed to odd months like this year. It appeals to my sense for order.

Anyway, below is what I read from Aug to Dec this year.  I went back to my main staple of fantasy but I also engaged in a bunch of light reading due to my Oct holiday (which both precluded me from reading in Oct and brought in a light-reading Sept when I cleared away some of my Kindle stack)

Soldier’s Son trilogy by Robin Hobb

This is the first series of Hobb that I’ve read and it really impressed me. Not so much that I have become a die-hard fan of her as I am of LOTR or Feist’s Midkemian world but I do think Hobb is a high-calibre fantasy writer. In particular, I think this series showcases her skills in the following ways: 1) she shows me how small actions (sometimes miniscule) by a weak character and a well-told story can hold reader interest (or mine anyway); 2) I think she presents war in a different slant that I’m used to seeing in epic fantasy and I think her take on it. Overall, I recommend this to connoisseurs of epic fantasy who want to experience something a little different from LOTR vibed epic fantasy (I still love them but I do want variety once in a while).

Mini Shopaholic by Sophie Kinsella

I talked about this book last week and overall, I like it (even though chicklit isn’t my usual genre and I have no intention of making it my usual nor following this series further). Still, I think it’s a book with substance while at the same time being very approachable in language and funny at times (I’m a serious-minded gal and often humour is lost on me, especially the type in this book. But I did think bits of it were funny in a hilarious way).

Night of the Lightbringer by Peter Tremayne

I was a bit distracted by the content touched on in this book- the aspect to do with Christianity (I do not have a religion myself). I mean that in a good way- it enlightens me about certain aspects of it in an academic sense, even though I also have a sneaking suspicion that I might have enjoyed the book more otherwise.

As for the book itself as a historical mystery, I think I like it well enough (or at least as well as most of the others from this series for which I’m a long-time follower. A couple are better but I this one isn’t subpar, just right on par, I think. Sometimes when I follow a long series, it does wear off on me and I find it hard to distinguish between when it’s the fault of the author’s execution or just the novelty starting to wear off). One complaint, however, is that the final reveal of the ‘Boss’ borders on being anti-climatic. In particular, that mars the fact that I was eagerly awaiting the last chapter for the reveal of the culprit before the ‘Boss’

Masque by W.R. Gingell

Beauty & Beast in a cozy murder mystery (well, it’s not technically cozy but the murder mystery somehow takes second place to fantasy so I personally felt it’s on the cozy side, I guess) is how I would describe this book in summary form. Overall, I found it a pleasant light read but other than that, I have nothing much to add. Recommended for fans of B&B.

Life for a Life by Andy Peloquin

The only reason I read this was due to my light-reading Sept. Otherwise, I’m not much of a short story reader and a short story really has to be above the average for me to like it. In terms of this short story, write-up is solid and pace is quick but otherwise it’s just an average story.

I also read 3 non-fiction this year, 2 of which having to do with being a writer. But I didn’t find any of them great so I decided to focus on fiction here. Till next time.

Silence Fallen by Patricia Briggs
So I’m not that much of a YA reader and I don’t tend to read urban fantasy at all but I picked up this book to do structural analysis for a writing course. I also consider this book as one of my Broadening Horizon reads this year. That aside, it’s not as horrible as I thought it could be but neither am I charmed. The pace is quick and the plot contains some twists but other than that, I’m not really taken with it. The heroine is okay but I can develop no bonds to her. I did note that the author suggested that the books be read in order and perhaps my problem of bonding is an artifact of me just picking up a Mercy book so late in the ordering of the series. However, I also think that the problem of this book lies in that Mercy the protagonist hasn’t grown one bit by the end of this book and in a way that made me feel like there is no point in me having read this book.

X by Sue Grafton
So I was really fond of Kinsey up till R maybe? And then it felt like Kinsey had fallen flat. But halfway through this book, I was like “Kinsey old girl, you finally came back!” And that’s what really excited me about this book.

I know the ending to this book is controversial (as a writer myself, I probably wouldn’t have wanted to write such an ending for technical reasons). All I can say that it worked for me and that’s solely because I am very fond of Kinsey.

Y is for Yesterday by Sue Grafton
I think this is the most complex story of the Alphabet series so far (which is ending in the next book!), with three parallel plots. To be honest, during a particular point, I thought one of the plot lines occurring in the past was redundant and felt bored but my perception was completely overturned only a few chapters later. So kudos to Grafton for embarking on this ambitious project and for it turning out so well.

1st to Die by James Patterson
So I came to this from the Women’s Murder Club hidden object games (which I liked) and Alex Cross. I like the concept of a women’s murder club before I even venture into this series but this story’s written in a sub-par way in my books. So we just get the page-turning, fast-pace that is Patterson’s wont for the case itself but the problem is that this story is much more complex that that and when all the other elements are in a hit-and-miss state, I seriously cannot say that this story is written solidly.

Mostly, the other 3 women besides Lindsay feel flat and I even have trouble bonding with Lindsay given that one key action she did just felt like a dumb move to me. Some of the chapters that aren’t about the case but about character and relationships are complete window dressing and leave me feeling awkward about their sub-parness. I’m also underwhelmed by the fact that the prologue of the book started off with a hook and then the concluding chapters and the epilogue acted like a major anti-climax to the hook in the prologue. In fact, I just feel like the last few chapters and the epilogue is basically all needless theatrics that Patterson was forced to put in to justify the hook he put into the prologue for lack of a better approach. I think I’m going to stick with the Alex Cross series instead of this.

Now, what have you all been reading? Let me know in the comments.