If you are curious why I’m doing this series because you missed last week’s post, check it out here.
Who is she:
- Wife to Yang Jian, founder of the Sui dynasty (581-618 AD) which was built on the demise of the Northern Zhou dynasty when Yang Jian made its last Emperor yield the throne to him
- formally known as Empress Dugu in life or Empress Wenxian after death
- The seventh daughter born to her parents- a general of Xianbei (a major nomadic group residing in what’s now eastern Mongolia, Inner Mongolia and Northeast China) ethnicity and a Chinese lady of noble birth
Notable life events:
- Named Qieluo for tagara in Sanskrit which has a host of Buddhist connotations, most notably Valerian which is a herb used for incenses
- Married Yang Jian at the age of 14
- Dissuaded the Emperor Xuan of the Northern Zhou dynasty, husband to her eldest daughter, from making her commit suicide through “intensive begging and pleading, kowtowing and bleeding” (now that’s the perseverance of a mother!)
- Persuaded her husband to ascend to the throne when he was indecisive on whether to continue making the last Emperor of the Northern Zhou dynasty his puppet or ascending the throne himself
- Instrumental in the deposing of her eldest son from the office of Crown Prince to be replaced by her second eldest, who became the second and last Emperor of the Sui Dynasty
- Known for being jealous
- Abolished all of the high ranking positions for royal concubines and drastically cut back on their numbers (She was the first Empress who was allowed to make decisions regarding the system regarding royal concubines, ahead of the Empress Wu of the Tang dynasty aka the only female Emperor of ancient China)
- When they were both middle aged, she killed a palace slave of noble descent that her husband had bedded once, prompting him to ride away from the Imperial Palace in anger
Why is she remarkable:
- It was well recorded that she was loved by her husband, which is far from the norm for most royal couples of ancient China. Furthermore, she
- was the first Empress to give birth to all of his children (10 of them in total, 5 princes and princesses)
- and her husband was the first and one of the two royal couples in ancient China ever recorded to live together daily as opposed to apart in separate palaces
- was mourned intensely by her husband who later expressed a wish to be reunited with her after death when he became very sick just prior to his own death
- She was the only Empress considered to be equal to her husband in status during his reign by court officials and maintained her influence on him throughout her life. This was opposed to many Empresses who gained power after the demise of their husbands and exerted or even usurped power from their own sons.
Moonlake’s thoughts on her:
I’m not normally drawn to Court women (Empresses and Dowager Empresses and the like)- those few I know are too ambitious and power-hungry for my taste (this could be the way they are portrayed but then again I have a general aversion in taste against anything related to Court intrigue and politics). But I think I admire Dugu Qieluo and in particular, I admire her known jealousy. Well, not for the sake of her jealousy per se, but to the extent that I feel that she’s authentic to her womanhood in that respect. Ancient China was a monogamistic society and I’ve grown up with the impression that women of that time mostly accept that as their due. I understand that- most people conform to societal norms, but on a deep-seated level, I think I am repulsed due to my feminist streak. Going back to Dugu Qieluo, it might be a trait gifted to her via her Xianbei lineage (apparently the Xianbei society had some matriarchal traits).
The other thing that made her stand out for me was that she didn’t have to seize power by force or trick at all (as I said above, I have no admiration for ambitious individuals in general, I don’t care what great deeds they have done), it just came about naturally for her.
*Note: I mainly used Chinese sources but there is an English Wiki on her: https://en.wikipedia.org/wiki/Dugu_Qieluo
Also, I’m going on holiday in November so there will be no blog posts during that time. But I will come back in December.
Yes, I’m creating yet another lot of quarterly serial posts both so I can more or less stick to it and it might dovetail into other related posts (still chewing over possibilities).
So essentially, this lot of new posts will feature remarkable female figures from ancient China that I compiled mostly from Chinese Wiki and other Web sources. And now you wonder what I mean by remarkable and why I’m doing this lot of new posts, don’t you?
Firstly, I can’t say I have a tight definition on remarkable- I’m mostly just looking up specific names that I came across that piqued my interest. However, I think it’s fair to say that if a female name has passed down through such a long time in history then that is remarkable in itself.
As to why I’m undertaking such a project, well, I’ve been noticing for a while that I have greater difficulty writing female characters compared to male characters despite my gender. In terms of my genre of Chinese fantasy, I found that I’m often boxed in by this idea that Chinese women in ancient times didn’t have much agency. And that obviously presents a major problem for fiction- a story of a protagonist without agency is going to be very dull to readers. So my solution is to do more research into this topic and dig out examples where women do have agency. Plus, I’ve found that I don’t much like researching for novels so this is my perfect excuse to do it on a consistent basis.
Stay tuned next week for the first episode of this brand new series!
Every now and then I like to reflect on things and that time has rolled in again.
But first, a bit of context for those of you who hasn’t read previous posts: I started outlining my WIP in Dec 2016 and was originally planning to finish outlining at the end of this year. I deliberately decided to experiment with a more comprehensive outlining process to address the issue of writing myself into dead corners. But now there is a minor change of plans and I’ve already gone ahead into draft 1. Still, I think I should be able to claim that it was an outlining odyssey that I had undertaken (and I just like the sound of the word odyssey so bite me :P)
So what were the main take-aways from this journey that lasted 1 year and a half?
- I’m happy with the general process now which mainly involves iterations on the traditional outline (just paragraph summaries of your scenes, you can put anything there, mine tend to be event summaries with bits of dialogue)- I think it allows me to produce outlines that are the tightest I’ve ever written so far
- I use an Excel tool to supplement the traditional outline and it usually invites in my inner critic so bad that I can only use it in small doses every day. I think it’s a needed tool and gives me important insight but not sure if it’s worth the time inefficiency. Maybe move to the editing phase, not sure.
- In between iterations, I have some natural cooling periods and I decided to use time more efficiently and invest them into collaborative short story ventures (think I might have mentioned this)
- Micro goal setting is definitely a valuable accountability tool. If I just have a big goal and no micro goals then it’s very easy to get off tracks for months and not do anything writing related
That’s it for this week. Next week, I will talk about the idea of a new serial post that I am considering. Stay tuned.
Silence Fallen by Patricia Briggs
So I’m not that much of a YA reader and I don’t tend to read urban fantasy at all but I picked up this book to do structural analysis for a writing course. I also consider this book as one of my Broadening Horizon reads this year. That aside, it’s not as horrible as I thought it could be but neither am I charmed. The pace is quick and the plot contains some twists but other than that, I’m not really taken with it. The heroine is okay but I can develop no bonds to her. I did note that the author suggested that the books be read in order and perhaps my problem of bonding is an artifact of me just picking up a Mercy book so late in the ordering of the series. However, I also think that the problem of this book lies in that Mercy the protagonist hasn’t grown one bit by the end of this book and in a way that made me feel like there is no point in me having read this book.
X by Sue Grafton
So I was really fond of Kinsey up till R maybe? And then it felt like Kinsey had fallen flat. But halfway through this book, I was like “Kinsey old girl, you finally came back!” And that’s what really excited me about this book.
I know the ending to this book is controversial (as a writer myself, I probably wouldn’t have wanted to write such an ending for technical reasons). All I can say that it worked for me and that’s solely because I am very fond of Kinsey.
Y is for Yesterday by Sue Grafton
I think this is the most complex story of the Alphabet series so far (which is ending in the next book!), with three parallel plots. To be honest, during a particular point, I thought one of the plot lines occurring in the past was redundant and felt bored but my perception was completely overturned only a few chapters later. So kudos to Grafton for embarking on this ambitious project and for it turning out so well.
1st to Die by James Patterson
So I came to this from the Women’s Murder Club hidden object games (which I liked) and Alex Cross. I like the concept of a women’s murder club before I even venture into this series but this story’s written in a sub-par way in my books. So we just get the page-turning, fast-pace that is Patterson’s wont for the case itself but the problem is that this story is much more complex that that and when all the other elements are in a hit-and-miss state, I seriously cannot say that this story is written solidly.
Mostly, the other 3 women besides Lindsay feel flat and I even have trouble bonding with Lindsay given that one key action she did just felt like a dumb move to me. Some of the chapters that aren’t about the case but about character and relationships are complete window dressing and leave me feeling awkward about their sub-parness. I’m also underwhelmed by the fact that the prologue of the book started off with a hook and then the concluding chapters and the epilogue acted like a major anti-climax to the hook in the prologue. In fact, I just feel like the last few chapters and the epilogue is basically all needless theatrics that Patterson was forced to put in to justify the hook he put into the prologue for lack of a better approach. I think I’m going to stick with the Alex Cross series instead of this.
Now, what have you all been reading? Let me know in the comments.