A Thread of Chance (1)

Chapter 1: An Overdue Reunion

~ Each Mortal is bound by a Limit, a Geomancer is also a Mortal.

Every Reading comes with a Price, Know the Worth of the Price.

Every Situation is accompanied by Chance, a single Thread of Chance. ~

It is the idle season. Clusters of women gather to gossip under the rows of willow trees at the village front. A stranger catches their eyes, garbed as he is in a cotton robe worthy of an entire year’s upkeep for a family of three generations.  Their gazes track him as far as they can follow: he’s heading for the rear of the village towards the lodging of Xian Sheng, the Teacher. He walks on the mud track with a stroll which proclaims that he belongs elsewhere, to the wide expandless world beyond the village that is both exciting and frightening. The sight brings the villagers into a state of awe. They had never seen such prestige projected through so simple a motion.

The stranger, Xun Zhen whose name means Seeking Truth, creases his brows in reflection over what he had seen on the way to this village. The prices for staple food have gone up in all the towns but there isn’t a drought in the surrounding regions. That usually means someone has been stockpiling them. Could news of my mission have already leaked out? To whom?  Xun Zhen shudders to contemplatethe possibility.

Xun Zhen feels anticipation building within himself for the upcoming encounter. Quickly overtaking, and prevailing over it, however, is a feeling of unresolved mystery resurfacing. Why had He left? Why did He choose this way, of all possible ways? Unwilling to relinquish his grudge, Xun Zhen refuses to refer to the Old Man as anything other than a generic He. He’s no longer worthy of being anything other than a faceless being in my world. He abandoned me along with all that He was, why should the Deserter earn any respect from me let alone still have my affection? Xun Zhen wishes that that he has come today to simply collect his due from Him rather than an actual mission. Least of all his mission today.

Reluctant to move further, he stops on the mud track, which is still a fair distance from a bamboo fence enclosing a grass hut standing aloof and lonely. He can only see the structures from where he stands but his instincts tell him that this most ordinary residence is his destination.

Sa Sa Sa. His gaze turns to the left where a gale is sashaying among the bamboo forest. Despite the wind, no single bamboo stalk bows. The sight recollects to him the words once spoken by the Old Man while viewing a similar scene. “That’s how a man of virtue needs to be. That‘s how We need to be. Break rather than bend.” That is why He chose here. It is the fitting abode for His character.

Xun Zhen moves forwards towards His hut.

“This is Two,” a cultured voice states. It comes from a man who is all white in hair and beard but with a visage of one in his thirties.  He is sitting cross-legged in the middle of the front yard on a seat of stone that the Elements seem to have crafted specifically for him. About a dozen or so children of various ages, wearing patched clothes, sit facing him in the same posture. A surprisingly orderly sight for young children of this social class.

The Old Man has always had that effect, He imbues his unique aura onto everything he touches. I could have been, no, I was one of these children sitting in rapt attention.

Xun Zhen’s mind wanders back to his own childhood, to the first meeting between him and the Old Man.

He looks exactly like the first time I saw him except his hair and beard were the color of ink rather than snow. “Mischievous One, would you like to go with me?” He asked. I thought he looked very ordinary and extraordinary at the same time. I cocked my head to one side as I pondered this puzzle. My eyes roamed across the stranger from head to foot in that way that got Niang – Mother – scowling at me whenever she caught me.

He was wearing a Daoist robe. It fitted him in somewhat but not quite with those men with white beards that they stroked as they prattled about things that we common people don’t, and won’t, know. I didn’t really have a concept of what it meant to be part of the common people, it was just what Niang said I was. So I wasn’t as in awe of Daoists as most of my playmates but more curious.

I stuck out my tongue at him. “Old Man,” I called in retort. I went with him but the name stuck as my special term of endearment for him. He taught me to read and write. He gave me the name of Xun Zhen. “Zhen, Truth, is the core to every being and object. Life is the search for Zhen within and without. Do honour onto the name by never forgetting the meaning behind it,” He said when he gave it to me.  He raised me to be who I am.

So why did He betray me by leaving the way He did? Xun Zhen’s hands clench up into fists.

Xun Zhen watches Him draw three horizontal lines on the muddy ground with a twig, each lower line successively longer than the one above it. The Teacher points to what he just drew, “This is Three.” Next to it, he draws a rectangle from the top of which dangles two short curved lines heading towards left and right respectively. “This is Four.” He continues drawing until Ten, a horizontal line dissected by a vertical one.

“Nine is the ultimate number rather than ten. Does anyone know why?” the Teacher asks his students.

The children all shake their heads and look at him expectantly.

“Because Heaven always leaves a single Thread of Chance. Thus we should always leave a single thread of chance for ourselves and others in any situation.”

Xun Zhen enters. “Well said, I come precisely for a Thread of Chance, Teacher.” He put emphasis onto the last word to mock the Deserter.

***

Entrance to the hut brings Xun Zhen directly into the sitting room. Spaces might have been cramped for a normal family at the village but this hut only has a single master and an additional visitor today can just as easily roam to his heart’s content if he is in the mood. Instead, Xun Zhen roams his eyes across the layout of the room: a wooden cabinet standing in a corner, a low table with various sitting mats thrown haphazardly around it. It isn’t much different from the setup at the visitor’s room at His old residence within the Imperial Palace. Except for the rough craftsmanship and, precisely because of it, a more authentic feel. But the biggest difference between this sitting room and the one at the Imperial Palace is that this one is teeming with life from the mere presence of its master and the other lies wilted and forgotten like himself.

He glances briefly towards the piece of indigo colored cloth hanging a few inches off the ceiling and floor, that separates the sitting room from the private section of the hut, its secret heart. But the master of the hut snares his gaze in the next heartbeat. Xun Zhen stares at his former mentor, searching for the answer his heart so urgently needs from the unaged visage.

The Teacher is also considering the face in front of him. He can still recall when it was full of the awkwardness and hesitancy of youth, now he has become a grown man. Time frowns upon him, leaving strokes of ash amongst his sideburns and layers of exhaustion in his gaze. Time flits through one’s fingertips.

Teacher speaks before his student, no, formerstudent he’s already become, “I left yesterday behind me. Now, I’m merely Teacher Zhang or just Teacher.”  It is a calm but irrefutable statement.

Why? The word bubbles to Xun Zhen’s mouth. Yet, his mission intrudes and he replaces it with, “Teacher, I come seeking a Thread of Chance. You took upon yourself the title of Sui Ji. You are the Follower of Chance, who else should I seek if not you?”

“Why do you seek It?” Underneath the voluminous sleeves of his robes, Teacher Zhang feels his nails biting into the centre of his palms. A spasm starts to rack his clenched hands at this unplanned reunion with his former student. However, the force of his will ensures that not a ripple shows on the outside.

“The Crown Prince has fallen to the malady of the Heavenly Bloom. The only known cure lists the Nine Ringed Balsam as a key ingredient. As you know, it hasn’t been sighted since the time of Emperor Yan.” He looks on his former teacher with an unflinching gaze.

“So you come to me.” The Follower of Chance, who now calls himself Teacher Zhang, gazes back at him nonchalantly. The two come to an impasse as they lock eyes in a silent debate over whether it is right for Teacher Zhang to be sought out on this business involving the Crown Prince.

Shra Shra. A strong wind had come to visit the bamboo forest.

“Break rather than Bend. A pity that mortals cannot emulate it in full. If one does not bend from what is without, heart’s desires will make one bend.” Teacher Zhang remarks as a self reflection.

Xun Zhen is silent for a few moments. He feels a solid mass gathering in his chest that will erupt any time. The suppressed words burst out like an army of invaders rushing through a breach. “Why did you leave?”

“To follow Chance,” Teacher Zhang shrugs. To seek the one Thread of Chance for myself. His hands shake further.

“And that leads to you shrugging aside everything so you can live amongst the bamboo like you’ve always wanted whilst we toil day and night in your stead?”

“Each man’s path is his own to make. I neither asked you to take my place nor placed you where you are now.”

“You cast away the position of Imperial Master Geomancer. Do you now cast aside your identity as one of the Xia people?” Xun Zhen challenges.

“I cast away nothing that is not mine to cast. I shall not cast aside any that is mine to bear.” 

“Then you agree…”

“Stars shift, dynasties fall and rise.” Zhang raises a placating hand to stop Xun Zhen’s rebuke, “Passing of Crown Princes are ill omens. History has shown us time and again that a ill prepared for vacancy is naught but a precursor to anarchy. And I have no wish to bear that on my conscience. Nevertheless, I need to find the right Time to search for the Thread of Chance.”

“The right Time is already upon us. The Shapeshifter has shown its true form.” Xun Zhen gazes up steadfastly at a specific constellation. His mind meanders off to the vibrant forest of his past again, to roughly the same time of the year as now.  

I waited expectantly on the appointed night, the same as I’ve waited for the past three years. There is a voice telling me to look up but I dare not. Niang had drilled into me that it isn’t right for us common people to gaze upon the transformation of the Shapeshifter. It does not like mortal eyes peeking at it while it is turning from a happy carp swimming within the Celestial River back to its true form. And we common people have to obey rather than tempting immortals to throw their wraths at us. An interminable time would pass while I fought with the itch within my heart that grew as Niang kept her stern scrutiny of me to ensure that I would keep my head down. When she gave me her verbal permission to look up again,  I never failed to gasp at the true form of the Shapeshifter. Which was daunting and yet eerily magnificent too. Yet, my heart would scream its dissatisfaction, at being cheated of the chance to watch the entire transformation as it progresses. In that first year, when I settled with the Old Man within the Imperial Palace, he said the words that I had dreamed of Niang saying in the past three years when I lowered my chin instinctively, “Look up, Xun Zhen, watch the splendour of the Transformation as it occurs.” And I did. First, the Carp shed some of the scales on its body as glittering pinpricks of starlight. Then it swished its tail and stretched and transformed itself all at the same time, unbelievably fast. It was every bit as breathtaking as I would imagine it to be and more.  

“Heaven is at its most fickle. It is an opportune time for seeking out the single Thread of Chance.” Xun Zhen hears these words that were spoken by his mentor back at the time of his recollection and that voice overlaps with his own as he repeats after it.

Without even looking up, Zhang feels, knows that his former student is right. Nevertheless, he feels his gaze being drawn helplessly upwards to the night sky like one witnessing the befalling of his own doom. The Dragon has unfurled itself in full splendour, turning to gaze contemptuously down upon the mortals. Zhang feels the full brunt of that contempt on himself. A coward fleeing from his own past.After shedding the burden of Court life, I no longer follow the Stars diligently, he reflects with a pang.

Zhang walks away towards the brazier, putting Xun Zhen behind him. He sticks sixteen fresh incense sticks into the brazier, lining them up in four neat rows. He shall be back from the reading in four hours. Or it shall be his last four hours. I would hardly miss anything of this corporeal body when I shed it, even if that’s what others define me by. This thought of the other lives tangled up with his own makes him waver in his indifference against mortality. Moreover, it creates in him an impulse to look behind. He wrests with it and wins, this time. He lights the first stick of incense.

“Wait here.” The Follower of Chance orders. Without waiting for any acknowledgements, he strides into the heart of his domain.

***

The Follower of Chance moves with purpose towards the wicker case that holds his meager collection of personal valuables: two sets of unassuming cotton robes for summer and an equal number of winter robes. He lays all these to one side and carefully extracts a bundle resting underneath.

He takes it with him to the wall of curtains that cordons off the left side of his bedroom. Chanting the Hymn of Calm, he lifts up a section of the curtain with shaky fingers.  Fate is hard to outpace, it will catch up with you sooner or later. He enters. Five paces away stands an octagonal table with a vividly carved symbol of the polar duality of Yin-Yang in the center. A circle inside of which swims the tadpole-like Twin Fishes head-to-tail alongside each other, one black and the other white.

Zhang unwraps the bundle on the table. A wooden box sits within. Plain and emanating a compelling sense of character- aloof and beyond much of the mortal coil. He opens the lid and lifts out a black bag that just fits within his right palm. From within the bag, he starts to remove each item with the care of a master herbalist tending to a beloved sapling.

The first item that his fingers brush is curved with some grimy grains clinging to it. The seed for the Sobbing Sycamore, which can lie dormant for nine centuries waiting for the right condition to sprout while remaining unharmed from both fire and water.  It is the reservoir item for the Element of Wood.

Gentle as Wood could be in its manifestation of the Xun or Wind symbol, it could also be as volatile as its Zhen or Thunder manifestation. He passes by the seed. It is better to start with the Element of Earth with its acceptance and embracing of all. It does not really matter to one with the skill of Zhang but it is his nature to proceed with caution under all circumstances. He moves his fingers until they come across something that yields to them if only slightly. He extracts the piece of clay that was part of the Yellow Earth Plain. It was created after the legendary Fu Xi made the Great Flood subside by slaying Qu Chi and mortally wounding Xie Tse, two of the Nine Offsprings of the Dragon. He places it on the table exactly nine niches above the Yin-Yang symbol to obtain the most potent effect.

Next comes the element of Metal that Earth gives birth to. Zhang encloses his palm around a pebble-sized chunk of quartz-like mineral. Thus he retracts his hand and proceeds to arrange the ore so that it sits nine inches to the right of an invisible line dissecting the Yin-Yang symbol in half.

The Element of Water next. He brings out a piece of coral shining almost golden under the morning sun, holding onto its base so that he would not create fractures in any part of the delicate object. It goes opposite the metal ore, nine inches to the left of the Yin-Yang.

Now is the time for the seed. He places it as the right bottom anchor of the pentagon around Yin-Yang. Finally, he puts in place the left anchor, the fur from the rodents living near the volcano of Huo from which the famous Cloth of Flame Cleansing is made. Thus, the Cycle of Birth is complete, ensuring the divination will run on its course even if he expires. 

But that is not all. Zhang pulls out the Twin Coins of Fate, identical to conventional coins except that the Twin Fishes of Yin-Yang swim within the hollow square in their centres as opposed to emptiness. He places them exactly over the eye of each Fish of the Yin-Yang.

The time has come to choose the The Pedestal of Insight – in which of the eight directions he shall sit facing to undertake the divination. With an ill chosen Pedestal, even the most positive omen can turn bitter. He closes his eyes and tries to empty himself, from within and without. Everything in their own times, leave them. A clear sense of worry intrudes, a culmination of his emotions since Xun Zhen has re-entered his life. He cannot shake it off and the divination cannot occur until he is in the right mindset. Yet, time waits for no one. He isolates the nagging lump of anxiety from himself and it forms into a brownish puddle of slush. He buries it deep within a cobwebbed corner of his mind. It will have to do for now. He lets himself be pulled into wherever it feels right to go, around the table. He stops when it feels right, at one of the eight seats. The Thunder position. The Position of Volatility. A fitting one for his current enterprise.

He sits down. Imagining that only a silk veil separates him from the tangled shreds of The Heavenly Will and that he is peeling it back to take a peek, he sets his hands over but not touching the Coins of Fate, then right atop the left in a pattern of wings. He slowly pulls his hands apart and across a horizontal line of nothingness. In the centre of the Coins of Fate, The Black Fish (Yin) stands triumphant over the White (Yang). Twice. On both coins simultaneously, black washes over the White Fish, staining it ebony as the night. Two Yins.

Once More. The Twin Fishes make a draw this time. One Yin and one Yang.

The third time now. The veil over the Heavenly Shreds becomes thicker and Zhang is only able to peel it back with visible efforts. Two Yangs.

Thrice more. Additional layers of veils materialise, growing successively heavier as he approaches what he seeks. He prevails each time.

The penultimate round. He feels a jolt under foot and he is deposited amidst a world of mist, a heavy mist shrouding everything. He puts his hands forth and the curtain of mist falls away, to reveal yet another layer of mist. He peels back layer after layer, becoming more frantic in his actions, clawing at the insubstantial figments and cutting swathes of scarlet in his own palms. Ah, here’s the object of my pursuit! Then his fingers accidentally brush something that unnerves and threatens fatally to break his concentration. But he manages to throw aside the final obstacle and corner his quarry of this round.

Arriving at the last gate to success. The mist coalesces into viscosity now. He is no longer the hunter but the prey, prey of the misty-hued current that he has to swim against else be pulled under. His hands are already shaking from prior efforts. He feels a spasm about to unmask its fangs and mark his doom.

Outside of his mental world, the reservoir items begin cracking one by one. Small cracks but the Coins of Fate start losing their lustre, rusts start materialising as if time spins hundreds times faster within the dome over the octagonal table.

***

Within the sitting room, Xun Zhen reflects upon the conversation that just occurred. He feels cheated. Of all the possible reasons he conjured of his mentor’s departure, he had never dreamed that he had left on a whim. To Follow Chance? Who was He kidding? The Old Man’s the one who had taught him that Chances move with the Heart. That a Master seizes Chance born of the Heart in hand rather than let Chance seek him out and seize him in hand. What He just said were lies, all lies, excuses concocted to brush him aside as one would a speck of dust.

Why? That is all he wants to know. Why isn’t he even graced with the truth, even if only for pity of what he had gone through in the aftermath of His walking out? Xun Zhen feels himself turning into a red hot brazier, fed by the fuel of anger in his belly which flare into embers that grow tall within seconds and erupt into steam rising off his scalp.

Xun Zhen glances at the brazier and the almost burned out stub of the second incense stick. It feels like more time has gone past, at least two hours by his own reckoning. He walks restlessly up and down.

He glances over to the brazier again and sees that the stub has gone out. He lopes over and lights a new one. Four hours… that is not a promising omen. It is the Old Man’s- from all he knows, it might be any mortal’s- limit. The Old Man had only taught him the basics of divination that any Geomancer can learn. But he isn’t chosen by Fate to know it as intimately as the Old Man or the handful others who have affinity to the Qian (Heavenly) Symbol. And the Old Man was- is, the best. The others couldn’t even attempt the search for the Thread of Chance. Not wouldn’t as in the majority of cases when they claimed they couldn’t. Which really meant that they weren’t willing to pay for the price for making a divination. The words that the Old Man used when describing the price exacted on divinations resounded in Xun Zhen’s ears. “Fate doesn’t like having his tricks revealed before time. That’s why there is a price exacted on those of us with affinity to the Qian Symbol who can sometimes read into his tricks before he can spring it onto us mortals.” But that’s not how it is with the other QianGeomancers this time. They genuinely couldn’t. That much a fellow Geomancer can tell even if his affinity is for any of the seven alternative Symbols of the Bagua or the Eight Portents.

The well-being of the Crown Prince depends on the Old Man finding what Xun Zhen has come to sought. Else unrest and bloodshed would not be long to follow. Character development, harmony within the family and then management of the kingdom, past sages counsell that is how we should prioritise in terms of attaining order in as an individual. Yet, without the kingdom, where shall families and individuals find safe havens in?  Xun Zhen doesn’t remember his own father but he remembers the shade of ugly red jutting out on the corpse of someone his father’s age from his village and those bulging eyes staring in accusation of the conflict-ridden times that he had the misfortune of being born to. He starts seeing that face vividly in his dreams again not long after the Crown Prince had fallen ill. Xun Zhen has no wish for the soul of any other child than himself to become forever besmirched by a similar sight.

Everything hinges on the Single Thread of Chance now. Would the Old Man find It? The Single Thread of Chance… It always exists in theory but elusive as it is, finding it is an altogether different matter. Please, Old Man, you must find It! You are our last beacon of hope.

He sits back down to meditate. He closes his eyes in concentration, to lean his will to the chance that the Old Man will chase down his quarry.

Millennia drift past and his heart flutters. A wisp of disturbance onto the stillness of his core. He opens up his eyes. His legs act on a will of their own. He stands up. He paces in mincing steps back and forth, back and forth, with his hands twisting together like a coil of rope behind his back. The Old Man must not fail, The Old Man must not fail, he chants to himself. He dreads to think of the consequences at Court otherwise.

Xun Zhen seethes as he plops himself back down. What would the Old Man care of the consequences? He had washed his own hands of the Court. Even if he failed at the reading, the Old Man would say He has done his part in this business and begone from his life! Do not come disturb his ideal idyllic life again!  “Princes vying against each other for the Seat of the Dragon? Courtiers and nobles scrambling to fall into line behind the right master of their eyes? The wheel of politics turning furiously and wrested back and forth between factions, bloods of innocents shed and worse done in the meantime? What business are those of mine?” He would say. None, none for Teacher Zhang who simply walked away from it all. As final as that, like a slap in my face.

He bows his head and would have cried out in anguish if he could. But he can only smile bitterly to himself.

***

Zhang is splayed out on an island. It can barely be called that, being not much bigger than the total of himself, stretched out. He can’t move a single muscle. He tries to make his taut muscles relax, knowing that he does not have long to tarry.

He feels the ground heaving as finger-width cracks come into being directly below him. The movement not only hurls him back out to the sea of congealed mist but also makes his mind spin enough such that the buried puddle of anxiety oozes out. Moments later, jagged lines appear in the Heaven. Where they converge, whole sections of the world fall away. Lost to me forever, the instinct of Sui Ji speaks. Mere seconds later, more and more streaks form in the sky, faster and faster. The world disintegrating into shreds.

No! I can’t let this happen,Zhang the Follower of Chance roars. I’m done with running, let Fate claim me if He wishes but until then, I am the Master of my own destiny. These are all illusions. With the power of his mind, he cleaves a way through it all. A single veil blocks his way still, cordoning off the entirety of this world as if it is a single room. He tries to lift a section of it and the veil turns into a block of ice the size of himself, with chill rising off it that he can see with his naked eyes. He pushes. It wouldn’t budge. He already feels the first sign of frostbite- a numb yet tingling feeling spreading downwards from his fingertips. He wills it to not be and yet it remains. He inhales a long breath and embraces the ice. The cold penetrates to his marrow. And yet, he feels the ice yielding to him as he becomes soaked with icy water. Or maybe he is yielding to the icy water as they materialise. He doesn’t know. He only knows to hold on. Hold On. Hold…on. Hold…..

The ice has melted. Out of frost-encrusted lids, he gazes upon the hard-won omen lying in front of him. Relief flushes through his veins. Then uncertainty creeps in. There seems more to the portent than that he has been able to make sense of. There is something that keeps eluding his grasp and that creates a sense of dread underneath the relief he feels. A sense of deep dread if he delves into it. But he shrugs it off as an instinct born of mortality.  If it is Fate, so be it. Also, Xun Zhen is waiting. The time of closure between himself and his student is drawing close, he can feel it. If he pauses to ponder things a little longer now, he might have avoided the regret of having committed one of the largest oversights of his life.

Zhang walks out from his bedroom to where Xun Zhen sits waiting with the last of the incense sticks just about to expire. He smiles serenely to himself and on his former student but it contains just the slightest tinge of uncertainty.  

“The Reading?”

“I have obtained what we need.”

A visible sigh of relief escapes into the air.

“I will accompany the party in retrieving the Nine-ringed Balsam. That is the Thread of Chance you come to seek.”

Remarkable Women in Ancient China (2)- Empress Dou

Who is she:

  • Wife to Emperor Wen, mother to Emperor Jing and grandmother to Emperor Wu of the Han dynasty (206 BC–220 AD)
  • A woman who has risen from a root of poverty to have influence across three different reigns

Notable life events:

  • Born into a poor family in the province of Qinghe in the year just before the founding of the Han dynasty. Her name was commonly thought of as being Yi Fong but might be just Yi or unknown
  • Recruited to the Imperial Court as a lady in waiting for Dowager Empress Lu at about the age of 13
  • Gifted as lady in waiting to her future husband at the age of 15 by mistake (she asked to be put on the list going to her home province but the one in charge of allocating ladies in waiting to different Lords forgot and put her on the wrong list)
  • Made Empress at the age of 18 on the basis of having birthed Emperor Jing’s eldest son (later Emperor Jing)
  • Transferred her belief in the Taoist philosophy to the Emperor across the three consecutive reigns that she personally experienced; her death marked the ushering in an era where Confucianism held supreme over all other schools of thought in Imperial China (at least as far as the Imperial Court is concerned).

Why is she remarkable:

  • She had heavy political influence across three different reigns and her reign marked the end of a ruling regime that was generous towards the populace as pertaining to the  ‘action without intention’ and other principles of Taoism
  • Clearly, hers is a rags-to-riches story on an epic scale

Moonlake’s thoughts on her:

I don’t really like her or dislike her but I think she is a dynamic character and her actions create unconventional consequences For example, on the one hand, she meddled heavily in politics and was known for elevating those from her birth family which normally leads to corruption. Yet, the Taosim regime that she was instrumental in creating or at least encouraging was seen as inseparable from the prosperity of her husband and son’s reigns.

What am I not writing?

Yes, you’ve read it correctly, in this post I am going to talk about what I am not writing. This is my attempt to set out expectations for my future/prospective readers *wink*

Let’s start with genre (and for those who need a reminder, mine is Chinese fantasy or fantasy in a Chinese setting with Chinese characters): I am not writing Chinese historical fiction but more like fantasy vaguely inspired by Chinese history. Basically, I am ‘stealing’ bits of real ancient China as a setting to fit into my story and then giving full reins to my imagination to modify or even change completely. And I am not definitely not writing any genre combination that involves romance (don’t get me wrong, I don’t have ‘a thing’ against the romance genre per se other than that it’s not part of my reading diet) since romance is one of the two elements that will get me into procrastination mode whenever I have them in my story.

The second part relates to style. I am not writing a page turner. That does not mean I’m writing a slow-paced novel necessarily but I am not writing something that is full of ‘hooks’ to get the readers interested in what’s going to happen next and has no other merit to it other than this momentum. I also do not necessarily write succinctly (I actually like what I call flowing prose which others might call verbose. I do not love long sentences for their own sakes but sometimes prose/description I especially like just happen to be full of semi-colons or made up of long sentences) nor do I write graphically (that is related to this aphantasia condition that I talked about earlier that I only recently found out is a thing and that I have, instead I go for what I call impressionistic/atmospheric writing).

And that’s it today. Next week, the second of my Remarkable Women in Ancient China serial comes up and then I will be releasing my novella A Thread of Chance over the reminder of February. So stay tuned.

Chinese (Oriental) Fantasy year

Besides my Broadening Horizon reads and others that took my whims, I’ve dubbed this year my Chinese (Oriental) Fantasy year. In short, this year I am going to read up on all the key Chinese fantasy novels there are (those I’ve identified anyway). I might or might not branch into Japanese fantasy, hence the bracket around Oriental.

Why? Because I am sussing out competition in my chosen sub-genre of Chinese fantasy which is entirely self-named but that doesn’t mean there aren’t already books (mostly from the historical fiction genre) that are based on the same or similar general setting.

So far, I’ve put down the following novels to read for this year:

Chinese:  

  • Under Heaven and River of Stars by Guy Gabriel Kay
  • Dandelion Dynasty by Ken Liu
  • The Chronicles of Master Li and Number Ten Ox ‘trilogy’ by Barry Hughart
  • Cradle series by Will Wright
  • Dragon Songs Saga by JC Kang

Japanese:

  • Tales of the Otori trilogy by Liam Hearn
  • Ascendant trilogy by K. Arsenault Rivera
  • The Poppy War by R. F. Kuang

I doubt I will get through them all. But then I am going to not stick with each series till the end like I usually do (well, it’s not like I haven’t ditched series before but it’s a rarity since I almost exclusively pick books based on back cover blurbs).

Labour of an Empress by Christine Ku & Robert K Peterson Sr.

“Gnats

Giant gnats in stately robes

calling Me to this and that

Buzzing

sapping my will

‘Lady, You Must….’

‘But the Flood…..’

‘The coffers are nearly……!’

‘You must judge…..’

I slam the doors shut

The roar of the fire

The Smells of the Forge

The Gnats hammer at the doors

‘Lady….’

‘Lady….’

Nothing will clear my head

Nothing will calm my body

I shake in frustration and rage

I see it!

My old friend

Worn and Mighty

I touch the Hammer softly,

Caress the head

Finally I grasp the wood!”

The Empress strides with purpose to the anvil, sparing barely a glance for the scribe frantically scribbling down her newly composed poem in a far corner. She feels suffused by nervous energy and adrenaline at the same time. Her fingers grasp and then twist around each other like vines. The discomfort makes her look down towards her hands. The feeling grows but isn’t physical pain, not yet. She ignores it.

Two sparrow-sized birds fly into her field of vision. The colour of a forge fire roaring in vitality and triumph, they fly heedless of each other. Yet, it is as if they are conspiring to create an unearthly dance of grace. She watches the sight mesmerized until she is handed a leather apron to put over the simple chemise she is wearing. Still in a daze but she manages to tie up the knots at her back in seconds. That recalls to her the Craft Master’s identity.

Greeting her ex-craft-master, now partner, with a simple nod, the Empress lifts up Temper- her hammer and faithful companion. It is lighter than most smithing hammers but otherwise plain. Out of habit, she runs her fingers over the emblem carved on the bottom of the handle. Instead of the royal insignia, she had ordered that a small circle containing the Celestial Smith Throft’s symbol – a hammer lying on an anvil- be carved there. The ire that had built up around her like a woolen coat during morning Court unweaves itself into threads of vapour and evaporates. Ah, the joy of immersing oneself in a craft of the moment, of the infinitesimal present!

Her partner informs her, “The Magus Nightingales have been fed the necessary ingredients. Pending the final ritual, they are ready to be released.” He is a master swordsmith in his own right but here in the forge he has no name, neither has she. Names and titles matter naught, not in this sacred place. They wait in reverent silence.

The doors open with nary a creak. The court mage enters with a dignified amble, punctuated by solid thunks from his mage staff. He raises his arms with lassitude. The birds that had previously been circling the room lazily or randomly alighting on various tools heed to him as a flock. The mage begins intoning an enchantment. The birds squawk as one but then fall strangely silent. When the mage finishes, the birds become immobile and yet strangely suspended in the air. Like puppets hanging on invisible threads. Finishing his work, the mage fastens his gaze on the Empress. “Beauty comes not from entrapment but from liberation. Freedom comes not from immersion but from transcendance.” Not waiting for a response, he turns his back and leaves.

The Empress’s mouth forms into a pout, in puzzlement of the mage’s parting words. But she shrugs it off. Naught is more pressing than her work ! And exhilarating!

CLANG. The rhythm of Temper’s fall fills her soul with joy. Wait! Just now, the way the metal quivered when Temper strikes it feels wrong. That completely shatters her Craft Master mindset. What have I done wrong? Am I doomed to fail, despite toiling day and night? Am I not worthy of a Craft Master’s integrity, the honour of crafting a masterpiece? No! No, that cannot be! She shakes her head furiously. Perspiration flies out in an arc from her forehead.

She feels a firm hand on her shoulder. The reassuring familiar weight calms her. She glances up at her partner while her hands continue their work. “Wrong quiver,” she told him.

He shakes his head. I don’t know either. “Ylarn nei ceth warchna.” That means going with one’s impulse in smith tongue.

She once again takes in the awe that is the Magus Nightingales, to fill her heart with the promise of both her purpose and her task.

Her eyes lock onto the white crystalline powder glittering within one of the many bowls on the work table. It came from a vein of dark iron underneath the Cavern of Koth. There she found a type of rock of a light sulphurous colour that she had never seen on any other mineral veins. And the powder didn’t come from grinding, the rock naturally dissolves with time it seems. She didn’t have an inkling of how she would eventually use this powder but now she knows. It belongs with this sword that she’s forging now.

She sprinkles the powder onto the quivering metal. The metal quiets, then it starts chiming with Temper’s song. She breathes a sigh of relief.

“Bird.” The Empress motions to one of the servants in the forge. He casually plucks a nightingale out of the air and places it on the searing metal where she indicates.The Empress brings Temper down on it. It disappears into the still shapeless metal.

The metal begins to squirm. The Empress nearly drops Temper. This has never happened before! Could it be the powder? No no no, it felt right and besides, didn’t the metal agree with her decision? She bites her lips. I will not fail! “Quicken the process.” she orders.

Obediently, each of the servants seizes up a bird in either hand and lines up so that the nightingales can be hammered into the sword as fast as she deems right.

“Now

The Hammer betrays,

The metal betrays,

My comfort deserts me

My peace shatters

The rhythm of the beats

off this living metal

Tires me

Sweat burns my eyes

Doubts assail my mind

A girl of small frame again

Sitting on the high throne

Mere puppet to politics

Entrapped and thwarted

Wallowing in own incompetence

escaping to the forge

solace and comfort found

Self reforged

NO, no more yielding

In this forge, here and now

The Will is Ultimate

I Will!”

The force of the Empress’ will subdues the metal. She is drenched in sweat, her arms have become lead. A servant scurries forward to mop her brow, what he would have done minutes ago for her father and any other Lord. But that is not her way. She doesn’t like to be disturbed when she’s working. The craft is everything. And she made that her decreed.

The last bird is placed on the anvil. As she is about to hammer it into the nearly forged sword, it shakes off the state of thrall and flutters back into the air. The nineteen other Magus Nightingales erupt from the sword as one, each trailing a thread of hot metal back to the anvil. In an instant, everything around her changes.

She is no longer in her palace but rather a familiar sylvan glade with just Temper, her anvil and the sword lying atop it. The Nightingales are fanning out in front of her, flicking their tails of liquid fire in menace, still tethered to the incomplete sword.

This glade is where the Nightingales were caught! A deer looks at her and runs off. The magic of the glade keeps her rooted in place, just like the single time she stumbled upon it. To her, this glade was the epitome of beauty. The greatest sight here was that of the Nightingales unconsciously dancing as a group. It was a liberating beauty that shook her core. There and then she resolved to embark on crafting a masterpiece to prove herself- a sword of freedom and beauty representing this glade.

The thought brings her eyes back down to the nearly completed sword. Her labour of joy and love starts wavering on the anvil as its very form is about to become undone, becoming nothing. She narrows her eyes, vexed. She strikes the sword and its form becomes a little bit more solid.

The birds swoop in, lashing her with their tails of searing heat. Her leather apron and blouse cling to her skin by bare strips now and her flesh sizzles here and there. Yet, her will is stronger than her pain. She continues to hammer! Nineteen pinpricks of light flash and she finds herself in another place again.

The Empress is now standing in some nether hell. Steps away from her, a cluster of demons attacks another of their kind, swarming mercilessly, rending it into bloody shreds with their impossibly long claws. The victim does not bleed like a mortal creature. Instead, the slashes on its body shed an unearthly light of blood-red hue that shines through the wounds.

Amidst the fray, one of the attackers who has dropped his guard is jumped from behind and given the same treatment as the original target. Soon, this snowballs into a fatal brawl for all. Total chaos, that is the only term that the Empress can think of to describe such a sight.

The entire tableau of mayhem freezes. One of the demons has spotted her! As one, they pounce. But such is their chaotic nature that they end up getting in each other’s ways. A demon’s talon scores her left arm, tearing a long gash that runs up to her elbows. A scream is ripped from her throat. She continues to hammer. The world flashes in colors of deepest blue and purple, transporting her again.

Back in the room where Court is held, somehow. On a throne too high for her, forcing her to dangle her feet uncomfortably off the ground. She feels hemmed in, even the air here is heavy enough to press her down. Courtiers and nobles talk over each other, outwardly to vie for her attention but it’s only a facade for the incessant bickering among her fragmented court.

“What kind of Lady……”

“Most unbecoming….”

“…she’s that bored she should take a lover.”

The gnats gnaw away at her. This court of insects!

It was never truly hers to begin with, she reflects bitterly. Nor does she truly want it, what has she ever reaped from it except inaptitude and belittlement? She feels the weight of Temper resting reassuredly in her hands; a warmth diffuses outwards from her palms and loosens her rigid muscles. That reminds her: she’s got work to do still and she can’t bear all these droning voices.

“Silence,” she shouts. All in the room obey but the nightingales, flying chaotically with all the majesty she wishes to capture. She looks up upon the Court in satisfaction. Two men whose faces have been worn down by time- one still with a lustrous mane of chestnut but one already gray-haired, stand in the fore front, facing off from each other in their respective gestures of confrontation and yet frozen in an identical gape. Behind them stand their lackeys, also in shock.

“I am no longer the clueless child that can be pulled on strings hither and thither. The puppet masters of yonder years are merely tired old men!” She declares, waving around wildly. “This hammer is the perfection of craft,” raising Temper above her head she continues, “and with it, a masterpiece awaits!”

I was never inept here in Court. Just as she must grasp Temper firmly to ply her craft, so must she grasp her birthright to become mistress rather than prey to the unfeeling wheel of politics. The air suddenly feels as welcoming as that in her forge, she can smell the faint perfume of jasmine wafting in from the royal garden. She smiles, content. She continues working at her masterpiece, arms moving as if reinvigorated by magic. She feels the birds pulling her rapidly into the sky, a swirl of clouds and landscapes, for a moment she feels as if she is everywhere in her empire.

Standing high on a cloud, she can see the panorama of her entire kingdom. The breathtaking view of the contours of the land in its raw beauty and grandness embraces her with open arms. Entranced, she stares at a plain of whiteness stretching to the north as far as she can see. She is surprised to find that the view in front of her opens up as if she is steadily moving closer to it. She sees a crystalline realm. Tall oaken guardians draped in white armor reach out their regal limbs towards each other and link up in impregnable formation. Snow squirrels like fluffy fur-balls skip from branch to branch among the oak-guardians; a single fur-ball, smaller than all the rest, suddenly lose balance and fall down into the snow-carpet, proceeding to happily roll back and forth on the ground. Amused, she lets out an especially girlish giggle that surprises herself. She hasn’t heard it in years, she thought she could no longer make it.

An impulse comes over her to look at another scene. Her gaze roams to the easterly direction. There stands a set of mountain range firm and proud, standing aloof and yet enfolding and safeguarding all under its shadow. She sweeps her eyes across the entire landscape and finds that it is indeed the tallest. Strangely, here it is summer. The slopes are lush with greens. The view again opens up, she can even pick out clusters of a few late blooms that add pastels and deep blues and violets to the mix of colours. She does not see any movements but there is a vibrant beauty here that moves her. She browses several more locations, drifting at will. Everywhere she turns to, she finds beauty. Each unique and equally moving.

She hears a flap of wings. Instead of the nineteen nightingales, she sees a flawless bird the colour of newborn snow. She stares in awe at its head, adorned with feathers that fan out in exactly the colors of the rainbow. The right and left most feather erupt from the rest like red and violet horns, emphasizing its majesty rather than being heralds of wars. It would not attack her, that she knows in her heart. Rather, it holds its head high on its graceful neck and looks down upon her with its earnest gaze. “I understand now.” she shouts in epiphany. The Phoenix nods. She reaches out her bare hands to grasp the trail of metal that is the Phoenix’s foot-long graceful tail and swiftly gathers it into a lump. She sees her hands wreathed by the molten metal but they are not searing to the touch as they should have been but rather cool and comforting. It is the gift of the Phoenix to her, to seal their pact. She hammers it into the blade. A flash and she is back in her forge.

The last nightingale stands motionless on the blade, its gaze searing into her. She gives it a nod and then hammers it into her masterpiece. Immediately, a sheath of white flame, hotter than any mortal fire, settles over the blade. She plunges the blade into water. It is magnificent! So light, so balanced, so beautiful. It rips free of her grasp and turns into the Phoenix she just saw moment ago. It soars out of the palace from the section of the wall burned through by the flames that bathe the length of its body.

“Lady, shall I…”

The Empress motions the servant to silence. Together with her craft partner, the two of them pad to the window and watch it fly away.

“I look

at these hands

An empress’ hands

A Smith’s hands

I did it

I created beauty,

out of beauty

My labour

In the afternoon sun

its majesty is wonderous

A Supreme Blade

A magnificent creature

My arms ache

My flesh is seared

sweat envelops me

My Soul enraptured”

A single tear falls down the empress’ cheek as she slowly walks away from the window.

The Closing of a Chapter

Happy New Year!

Those of you who have followed my blog for a while would have known that I pulled out of an anthology series before and well, this is the closure post on that. After all, to move forward, we need to close the chapter on some of the stuff from the past holding us back, right? This is what I have in mind in this post where I am going to talk about my plans for the two pieces of my work that was published in that anthology.

In the short term, I am going to publish both pieces on my blog. I think that is also as far as I want to take the collaborative piece (note: I posted an excerpt of this piece’s start earlier. The story is called the Labour of an Empress and my co-author had fully ceded this piece to me to do as I see fit).  While I am pleasantly surprised by how much further the collaboration took my initial idea (an idea that I was not too excited about) to, I have no further ambition for it so I am content to leave it as-is and move onto other projects.

As for my solo piece A Thread of Chance which I had been turning to a novella, I might turn it into a novel series one day (I do have ideas simmering for that that I have taken down scattered notes on). But it won’t be any time very recent in the future. And for the novella, I was playing with the idea of publishing it on Amazon but now I no longer have the energy or enthusiasm to do so.

Stay tuned for next week when I release the Labour of an Empress up on the blog! It’s not quite a standard short story and I’m curious about what you all think.

Moonlake’s Book Discovery- Dec 2018

I was going to do another book discovery back in Oct but then I decided I wanted to save it for end of the year so that I can do book discoveries in Mar, Jun etc. as opposed to odd months like this year. It appeals to my sense for order.

Anyway, below is what I read from Aug to Dec this year.  I went back to my main staple of fantasy but I also engaged in a bunch of light reading due to my Oct holiday (which both precluded me from reading in Oct and brought in a light-reading Sept when I cleared away some of my Kindle stack)

Soldier’s Son trilogy by Robin Hobb

This is the first series of Hobb that I’ve read and it really impressed me. Not so much that I have become a die-hard fan of her as I am of LOTR or Feist’s Midkemian world but I do think Hobb is a high-calibre fantasy writer. In particular, I think this series showcases her skills in the following ways: 1) she shows me how small actions (sometimes miniscule) by a weak character and a well-told story can hold reader interest (or mine anyway); 2) I think she presents war in a different slant that I’m used to seeing in epic fantasy and I think her take on it. Overall, I recommend this to connoisseurs of epic fantasy who want to experience something a little different from LOTR vibed epic fantasy (I still love them but I do want variety once in a while).

Mini Shopaholic by Sophie Kinsella

I talked about this book last week and overall, I like it (even though chicklit isn’t my usual genre and I have no intention of making it my usual nor following this series further). Still, I think it’s a book with substance while at the same time being very approachable in language and funny at times (I’m a serious-minded gal and often humour is lost on me, especially the type in this book. But I did think bits of it were funny in a hilarious way).

Night of the Lightbringer by Peter Tremayne

I was a bit distracted by the content touched on in this book- the aspect to do with Christianity (I do not have a religion myself). I mean that in a good way- it enlightens me about certain aspects of it in an academic sense, even though I also have a sneaking suspicion that I might have enjoyed the book more otherwise.

As for the book itself as a historical mystery, I think I like it well enough (or at least as well as most of the others from this series for which I’m a long-time follower. A couple are better but I this one isn’t subpar, just right on par, I think. Sometimes when I follow a long series, it does wear off on me and I find it hard to distinguish between when it’s the fault of the author’s execution or just the novelty starting to wear off). One complaint, however, is that the final reveal of the ‘Boss’ borders on being anti-climatic. In particular, that mars the fact that I was eagerly awaiting the last chapter for the reveal of the culprit before the ‘Boss’

Masque by W.R. Gingell

Beauty & Beast in a cozy murder mystery (well, it’s not technically cozy but the murder mystery somehow takes second place to fantasy so I personally felt it’s on the cozy side, I guess) is how I would describe this book in summary form. Overall, I found it a pleasant light read but other than that, I have nothing much to add. Recommended for fans of B&B.

Life for a Life by Andy Peloquin

The only reason I read this was due to my light-reading Sept. Otherwise, I’m not much of a short story reader and a short story really has to be above the average for me to like it. In terms of this short story, write-up is solid and pace is quick but otherwise it’s just an average story.

I also read 3 non-fiction this year, 2 of which having to do with being a writer. But I didn’t find any of them great so I decided to focus on fiction here. Till next time.

What I learnt from my Broadening Horizon Reads- 2018

My Broadening Horizon Reads this year are a YA vampire/werewolf fantasy and a chick lit. Both are genres I tend to stay away from and both are written in first person (the latter is more of coincidence than design though). Below are summaries of my main take-away from each of them:

Silence Fallen by Patricia Briggs

I think what it showed me as a writer is the power of the voice. It comes in two-folds: 1) it showed me one way of using voice creatively to go outside of conventions for a multiple narrative story; 2) it showed me how voice is a double-edged blade and that for novels which hinge on voice like I think this book does, reader empathy is 100% whether they bond with the voice (or not as in my case).

Mini Shopaholic by Sophie Kinsella

Again, I think voice is an important part of this book. And while I found the heroine bimbotic for most of the book, I think what the voice in this book scores well on is that it does draw the readers into the heroine’s world. I also think the interspersion of letters and diary entries between chapters is a neat trick in strengthening a special aspect of the heroine or subverting/adding layers of depth to the heroine.

Above all, I think what I learnt from this exercise is to be more adventurous and go outside stereotypical impressions of specific genres once in a while. In both these novels, I found that they were better or rather I like them better than I had originally expected to (well, this is certainly true of Silence Fallen. I felt a bit misled by the back blurb for Mini Shopaholic for most of the book but then the ending did leave me sated and I actually prefer Mini Shopaholic relative to Silence Fallen). Sure, I wouldn’t like to do so all the time because I just like what I like but I am definitely convinced of the merit of introducing more variety to my reading ‘menu’.

Moonlake’s Writing updates (6)

So I had previously alluded to the fact that I’m working on a first draft (well, I’m calling it a 0.5 draft now, that gives me much more room to be rough and not use perfectionism as an excuse for procrastination). In this post, I thought I would elaborate a bit more on it. First, I had set the goal to finish the draft by my birthday next year which is in late Oct. Second, I’m glad to announce that I’ve already went over the 20% mark on it.

That’s pretty much all I have to share at the moment but I will also provide a sneak peek into the novel via the following elevator pitch that I came up with:

A fantasy story set in fictional ancient China. A young woman desperate to find her missing younger sister. A deserter out to find a new life and place for himself and his fellows. The convergence of their paths in the search for hope.

That’s it for now. Until next time.

Jigsaw Puzzles, Writing and Me

assorted puzzle game

So I just came back from my holidays and I wanted to write about something a little different from my usual focus: jigsaw puzzles. Actually, it was one of my childhood hobbies that I only recently picked back up. So what has it got to do with writing at all?

Well, jigsaw puzzles:

    Trained my intuition. That’s how I think of it anyway, so much when Mum asked me to explain how to go back about a jigsaw, I actually replied I used my intuition and that was too abstract an answer for her that she couldn’t understand what I meant. Anyway, so how is intuition useful for writing? Well, mostly the way I visualise a story is as different ideas (about characters, about a main situation, about the setting) all clicking together like pieces of jigsaw. But ideas are elusive creatures, you know. Sometimes I get divergent ideas on the same character or a particular point in the story. So I was hoping that the intuition I built up through jigsaws would transfer over when I outline stories. Then again, you can say I’m just making up an excuse for me to throw myself back into a favourite pastime 😛
    Taught me that I’m a person who does things purely because I enjoy the process. Yes, that’s right, jigsaws led me to such a self discovery and I think it’s a very important discovery. Shame that I don’t always keep it in mind! What this meant for me in terms of being a writer is that I need to be more mindful to keep the ‘play’ element of being a writer more prominent as I tackle each WIP. I’m quite self-disciplined in general. But the down-side of this is that writing often turns into a type of second job for me that is not much different from my FT job. And that’s not quite right because writing is actually my passion so while I need to persevere in it, I also need to loosen up in a sense so that I can also enjoy the process because that’s what feeds me as a person.

And let’s just keep it short and sweet today. Come back next week to hear about my writing update. Haven’t done one for a while now *rubs hand in anticipation*, aren’t you excited *wink*?