Random writing (12)

Prompt used:

“Wolf-teeth coloured moon       She lolls haggard

I rally the cup                     dramatise it of all the wind and snow

Who tinkled over the cupboard of the past life  entertaining dust and quarrels

The hymn of Fate            numerous reincarnations

You frolic                             crystallise for the youth that will not revel when called

Although history has already befallen dust           my love is not snored”

The moon is a strange off-white off-yellow colour, a somewhat rusty shade like the teeth of wolves. She is loitering, limping along as a gaunt shape. I gently press the carvings on the cup, awakening its powers. Wind and snow materialised within it, swirling lazily. I languidly extend my ring finger and the contents of the cup draw themselves into ethereal filament and twin themselves around my extended digit. I hear a faint tinkling sound from the cupboard where I lock away my past life. It is a merry sound, fit for entertaining dust and quarrels. I hear the hymn of Fate also, sung time and time again at each reincarnation. I hear your crystalline voice whilst frolicking, chiding youth for not revelling when prompted. Now history has become naught but dust and my love has not yet hibernated.

Moonlake’s Lyrics (4)

Another inspiring Cantonese song lyric for today. The actual song is called A Straight path and A Meandering Path. It is the theme song for a Hong Kong TV drama called Rainbow at Night:

How can one compete with anyone if no sweats are ever shed?

I’ve never had the extravagant hope      that the angels would be generous

How is it possible that one would see colour if one has not opened up one’s eyes?

Haven’t yet toiled            what right to wait for cheers?


Everyone knows that the lights won’t be dazzling before night fall no matter how beautiful they are

Given a backdrop of adversity    a life would be too resplendent

Have to walk no matter how difficult      not slowing when facing setbacks

I am used to the turbulence of tsunamis                               even the ordeal of travelling up a mountain of knives

*Without nightfall           there won’t be stars shinning

Brilliant even amidst darkness

If I faint one day               learn to treasure breathing

Who would always have luck undiminished?

When a day ends             there will be a new start

Pleasure and sadness pass within the blink of an eye

Falling into a bottomless pit         a hard turn of life

Efforts are hard to rein in             a ferocious tide can be stopped with enough effort

How can one be passionately in love if one is unable to treat oneself well?

Having learnt to treasure oneself             even breaking up would become a lovable experience

Even falling down would be spectacular                                let me create unexpected miracles

I see myself as a genius                 I would not deign to sigh for having fallen just one time

Repeat *

No matter the path in front is straight or meandering     it won’t be too late as long as one steps out

In such a dark night         the constellations are brighter

When there’s a high mountain in front of one    the courage to climb it would follow

The more difficult it is                    the stronger the will to not turn back

Everyone knows that the lights won’t be dazzling before night fall no matter how beautiful they are

Given a backdrop of adversity    a life would be too resplendent

Have to walk no matter how difficult      not slowing when facing setbacks

I am used to the turbulence of tsunamis                               even the ordeal of travelling up a mountain of knives

Note: the italic bit has an additional meaning in Chinese in that travelling up a mountain of knives is one of the known punishments in Hell according to folklore

Random writing (11)

Prompt used:

“Falling in love is always ebony  getting along too hapless

If not yours then don’t try so hard to make it so

The night is already decrepit but you still don’t want to sleep…

All you want is to love a person propitiously”

The process of falling in love is a dark one, a dark but glossy one. Dark because it’s like being in an endless tunnel, never knowing when you will get to the end. Glossy, well, that’s what attracted you at first, right? Oh yes, the real misfortune comes when the two are trying to get along, when they try so hard to tug at the common ground between them. I don’t know why love is so difficult when all one wants is to love a person propitiously. I don’t have an answer for that. And you still want to hear more? Sorry, the night is getting decrepit. And you say you still don’t want to sleep? Well, well, well, that makes two of us.

Random writing (10)

Prompt used:

Cold laurel seemingly spreads                  shadowing over the briar in my drawing”

I had a dream. In my dream, I was drawing, drawing a clump of briar, of the colour red, the red of flame, flame that reaches out to wrap around me, warming me. But then a laurel cast a shadow over my clump of briar, and with the shadow came a moaning wind, bringing it snow, snow that waltzes in the air like fine salt. I reached out a tentative hand to feel it and it was chill to the touch, bone chilly it was. I jerked back and then I found my clump of briar gone, gone like wisps of smoke that never existed. All that remained was the tall laurel that cast its majestic shadow over me and I was chilled, so chilled that my eyelids grew heavy….

Random writing (9)

Prompt used:

I fell in love with a personalty who made me reckless

I thought that was the worship that I wanted to pursue…

I miss the simple pleasant little hardihood in my past”

The first time I lay eyes on the mansion, I knew that I had fallen in love with it and that I would do anything to get it. Yes, I worship materialism, have always worshipped it. Why this is frowned upon by some is a riddle for me, a riddle that puzzles me every day but that I have to face every day. At times this gets draining and I start missing the hardihood I had in the past which was simple direct, as single-minded as a bull charging forward in rage. Ah, yes, those were the good days, the simple good old days.

Random writing (8)

Prompt used:

“I fell in love with a person who made me recognisable

I thought that was the world that I wanted to pursue

But having rushed about here and there, being misunderstood and being cheated

I question whether the world underlying grown-ups always is always fleeting or inconsequent…

The sky is very big but I can’t see it clemently     so loopy”

Before I knew you, I was a clean slate, with nothing to distinguish me from all the other multitude. But you gave me my unique footprints such that others would recognise me as me. And I thought that was the world that I wanted to pursue. But in my wilful wanderings I was utterly unprepared for misunderstandings and malicious tricks. Hence, now that I’m lying down on a lonely knoll under a starry sky, a question is plaguing my mind: is everything in the world to be fleeting and coming to be inconsequential like specks of dust in the end? I am lost, yes, I am lost in this world where everything appears so crazy.

Random writing (7)

Prompt used:

“Until my eyesight becomes blessed      until I cannot breathe

Let us be insightful in body and shadow”

I never thought that I would be blessed with receiving the Sight, the gift of divining from dancing shadows. Shadows don’t dance, you say? But they do. They dance out of the corner of your eyes. They dance when not observed. They dance in the dark of the night. They always dance in groups. They chase each other, ensnare each other, enmesh together and dance to the same rhythm. It’s a spectacle to behold, a true spectacle, if only you learn how to look. Oh yes, they are not only visible to those with the Sight. I’ve always been able to see that before I receive this gift. You just have to know how to look.

Moonlake’s Lyrics (3)

A little change of pace for today’s lyrics post. Instead of liking it for delving into life philosophies and themes, this one drew me because of it told a tale, a somewhat wistful tale of love and reincarnation. It’s also a relatively new song, in Mandarin and its title is “the Love of a Thousand years”, sung by a male and female Taiwanese singer together.

(F): Who made a pot of tea on a cliff       warming the longing from the previous life?

Whilst I’m adjusting for the “jet lag” of a thousand years               drinking in all the loves and hatreds

(M): Years are hammering at the rocks  I’m leaving my hair long again

Waiting patiently for changes in the coastline                     a heavy rain is about to fall

(F): The Wind is blowing fiercely

(M): Who is afraid at this moment?

(F): The sea breeze had always been yearning for the sands        yet you’ve missed the best years of my life

Missed the branches and shoots that I’ve newly grown                 and my white hair

(M): Butterflies are still wildly in love with flowers            yet you’ve missed the best years of my life

Missed my reincarnated face     do you still love me         I’m waiting for an answer from you

(F): I’ve been always been looking at the cliffs that broke up the sky whenever I walked,

the farthest sight I’ve seen is merely the sunsets

I’m wondering into which family you were born into this life       my tears fall before I can utter a word

(M): The vanished sprays on the beach                 makes me think of home in a gradual way

Where is the forever that has been promised    I can never put it down

(F&M): Oh          The memories from reincarnations are dwindling in the winds

Yet I will be remembering them deeply

(F&M): The sea breeze had always been yearning for the sands                yet you’ve missed the best years of my life

Missed the branches and shoots that I’ve newly grown                 and my white hair

*Butterflies are still wildly in love with flowers  yet you’ve missed the best years of my life

Missed my reincarnated face     do you still love me         I’m waiting for an answer from you

Repeat *

By the way, I saw that my followers had finally reached the two digits recently. And I would like to say a big thank you to all of my followers given that I post but sparsely and is quite a shy person whether in person or online.

Random writing (6)

Prompt used:

“Half ludicrous within my dreams, I suddenly realise it’s so collateral.

What is love? Merely being among movable winds and bizonal rain.

Blind, redolent…”

I had a dream. I can only remember the barest outline of it, the vaguest outlines of the emotions it contained. Within the dream, I was half ludicrous. I cannot remember what exact actions I did but I felt half ludicrous. And then I realized that everything is only secondary, inconsequential, within the dream. I think I experienced love within it but it was a kind of love whereby one gets buffeted by winds that change direction wholly unexpectedly and bizonal rain that flit in and out of one’s vision, soaking oneself again and then again. I was blind in the dream, blind and reeking. I don’t know of what I was reeking but oh yes, I was reeking.

Moonlake’s Novel Planning Method

I haven’t shared any writing insights lately because my novel is stagnating a little. But today I’m in the mood to post about writing again. In particular, I would like to share my particular method of novel planning. My current method is actually derived from the following two articles:

The Snow Flake method by Randy (www.advancedfictionwriting.com/articles/snowflake-method)

The Novel Formula by Kat (http://thenovelfactory.blogspot.com.au/2012/01/novel-formula-novel-writing-method-step.html)


My particular method actually follows the Snowflake Method quite closely but have small deviations that are either self-devised or ideas that I’ve taken from other sources in one or two places. As for the second article, I personally found it to be an overkill in terms of novel planning but that is just me, who’s always impatient to get on with the actual writing. In terms of being comprehensive, it wins hands down compared to either my method or the Snowflake Method. At any rate, I found the second article to have value in that it does add other insights.

So basically, my method proceeds in the following stages:

  • 1st stage- Condensed Back cover blurb: first one-liner to summarise the story and then expansion to a single paragraph with 5 lines.
  • 2nd stage- Character synopsises: this stage is done for each of the major characters in the book. I usually start with the protagonists and move downwards. It has 2 steps. The first is creating a one-page summary of each character’s experience in the story detailing a one-liner of his/her storyline, his/her motivations, goals, conflicts, ephiphanies/growth and a one paragraph summary of his/her storyline. The next step is to write a one-page synopsis from the point of view of each of the protagonists and ½ page or other major characters. I personally really enjoy this stage because it gives me the chance with work with the voice of all these different characters although sometimes changing between voices is a problem. My habit has been to group the products from this stage together by characters and save by separate characters, each named cs_(character name).
  • 2nd stage a- This actually cycles back to the 1st stage and I usually keep what I had produced at the 1st stage and this stage together in one Word doc titled synopsis. Basically, in this stage, I use the character synopsises to expand the one paragraph condensed back-cover blurb written at the end of stage 1 into first roughly one A4 page (don’t feel restricted by the one page limit though, all these are for brainstorming after all) and then into 4 pages by expanding each paragraph of the one-page synopsis into a full page (this is again on a rough speaking basis. Again, don’t restrict yourself at all by length but from my personal experience the 4 pages thing tends to fit a conventional length novel, that is, about 40000- 50000 words).
  • 3rd stage- Character filling: self-explanatory, basically just a stage that you go through to suss out each of the major characters in your book. In both of the articles I cited in this post, they suggested a character profile approach which I’ve already mentioned that I have a personal aversion to. So I’ve substituted for the 10 by 10 character grid method that I’ve already talked about in a previous post. Also, I should point out that what I talked about so far before this stage was strictly following the Snowflake Method from step 1 to 6. I usually do a full grid for all of my protagonists, companions on their adventures and a selected number of notable characters. Then, I take much more discretion with the other characters who might be important to the main characters but not to the story itself- what I call background characters. I will usually brainstorm somewhere from 15 to 70 facts about them.
  • 4th stage- Plot filling: I usually make a Chapter by Chapter event skeleton as the first step. This is not in the Snowflake Method. I just ran across this structure when I do a Google search on how to create a synopsis for a book. I usually give each Chapter a name that based upon the main event happening in the Chapter. Then I would list under each Chapter 2 sub-events that happen in indentation form. For a long plot arc, the Chapter names do run into a series. To be honest, I don’t think I’m good with clever naming and such so the Chapter naming is really just for my own reference. Step 2 was suggested by the Snowflake Method where you go across to spreadsheet and make the following columns: Physical Setting of scene, Sub-scene number, Event arc, Point of view character (i.e. whose eyes you want scene to be told through, might be slightly redundant if you are using the all-seeing perspective in writing or first person), purpose (I personally have 3 categories: plot development (PD), character development (CD) and world revelation (WR) and then I would put in some other notes in brackets within the cell eg. for PD, I would put whether it advances the plot or presents a setback; for CD, I would jote down whose character I’m development in the scene/sub-scene; for WR, I would jote down which aspects of the underlying world I’m revealing), Chapter Number, Scene Number and finally Themes touched in each scene/sub-scene. The last column I tend to leave blank a lot of the times but I just added it in for reference and also because I’m personally into life philosophies delved/reflected by fiction a lot. To me, that is one of the many important reasons for why I’m drawn to fantasy. This spreadsheet I would label as scenemanager.

Then I just move onto my Chapter by Chapter writing. But I also have the habit of doing some pre-writing as well. That is, I usually take the event sequence from the scenemanager and then expand them into a Chapter skeleton of what goes into each paragraph or sub-section of a scene. This method of writing is also mentioned in the Snowflake Method. I find it quite useful in combating writer’s block.

So that’s pretty much it. Feel free to leave comments of any aspects you would like to discuss. Also, I just released that I’ve just written my first long read. So thanks for any of the dedicated readers who actually read and finished this post.