Recently, I’ve had a first hand experience of how words hurt though of course I didn’t do anything so dramatic but I admit to not being on my best behaviour. It’s more or less over with me now but I still feel for the original author who wrote this. Secondly, during this incident that I’m referring now, me and the other person have been alternating between aggressor and victim and now I think that both of us should have read this post.
Moonlake’s Meta fiction (3)
The following three bits of meta fiction are written to tease out a set of two legendary places called Still and Limbo that I wrote up for one of the quests at the Citadel. And I don’t think I can sum up these two places better than the following tagline I wrote:
“Two forgotten places there be- Still and Limbo,
Still where Time is forever Still,
Limbo where Naught is ever Remembered.”
The Abbot cordially greeted the Lord who strode in regally clothed in fineries that would not look out of place in court but somehow had an unkempt look about him. He looked about to speak but then being lost on the choice of words, was irked and started fretting about. Seeing this, the Abbot smiled knowingly and calmly reassured him, “You have come to the right place. Fret not over it. But this is not the right time and place for the kind of talk we’ll be having, not yet. Let us retire to a more private place.”
The Lord seemed pacified by the words and followed the Abbot meekly into the Inner Sanctuary. He did not take note of anything but the white-robed figure drawing him onwards as they traversed through a long corridor. Otherwise, he might have noted and indeed given voice to the contempt in his servant’s eyes of the dilapidated state of the Abbey and its measly decorations.
In the Lord’s mind, the concept of time passage had fled entirely. All of a sudden, he found himself alone with the Abbot in a study.
“Now we can speak freely.” The Abbot looked at him with his keen eyes. “Now which are you, one who seeks a quiet place for a contemplation, or one who seeks contemplation indefinitely?” An amused smile came onto his lips when he said the latter.
The Lord was confused. “What difference does it make?”
“None and a great deal.” The Abbot smiled enigmatically. Then an otherworldly gleam came onto his eyes. He recited the following verse in a grave tone:
“Two ever that seek Still while One only craves for Limbo,
The Two urgently need Contemplation and the One yearns for not Remembering.
One of the Two pursue falsely for the Hope of Longevity,
Yonder the Lust for Limbo is ever Pure.
Be it the Two or the One, seek Still or Limbo need not be.
Still and Limbo calls its like, whether or not Like beware.”
A series of images flashed past in Garmon’s mind. Garmon knew not from whence they came for he had never seen or even heard of the ritual depicted. For all that those images rippled and undulated and everything seemed to be shrouded under shadows, Garmon knew instinctively that what was shown was a ritual to achieve one purpose. A purpose that fitted with his need, at least for now. Without further contemplation (which was somewhat strange if he reflected upon the instance later, he had always been a cautious man), he started performing the first step of the ritual that would start a process that there could be undone once started…
When he came to again, he found himself in a place that contained no sound nor any odours. Neither was there any sight to behold. Everything here was of a murky colour- it looked like grey at first but upon closer observation, it contained a little of every possible shade he had ever seen and more. When combined together, the murky colour gave off an impression of desolation, comfortable desolation. Just then, Garmon felt something… a concept evaporating from his memories like wisps of smoke that faded to nothingness. But he shrugged it off as it was not important. What was important to him now was the contemplation of this place that he was in now. It was a misty place. No, that’s not right. It was a shrouded place, for sure, but not by mist. Even the lightest mist had weight but this place was shrouded by something… impossible to cipher but definitely weightless. When he reached out his hand to touch it, he felt nothing as if it did not exist at all. But Garmon knew it was there. Just as he knew that this place, this realm he had just entered was a forgotten place, a thoroughly and completely forgotten place, a place that does not exist in his world nor any others. It is a place where you get to forget everything, even yourself, pure bliss for someone who wants to forget, wants to forget everything, wants dearly and most of all to forget himself.Just the place for him.
Iblinikalis, Master of the Ebony Tower, Loremaster of the Uncharted Realms, Paramount Explorer of Arcana Extraordinaire, looked into the scrying orb in front of him. He was looking on the landscapes of a realm lying outside of the physical world (an arcane realm by definition) that he was thinking of claiming fief rights to as First Discoverer. Actually, looking on would not be the correct words for the experience. For Iblinikalis had perfected the art of scrying. Not only could he determine at will what sights to see of a location, he could actually experience of the location as if he had truly visited it.
This arcane realm he had just recently discovered was a strange place. It was not bizarre with a totally different of basic laws governing over its functioning like some of the others that he was Lord of. No, in that aspect, it operated much as the realms of the physical world. Its physical landscape was also ordinary- it had mountain ranges, rivers and streams, flat land covered with vegetation and all other types of terrains that could be found on Taineer, his own home Realm. And yet there was something odd about it. No wind stirred the plant lives, they lay dormant on the ground like creatures that had been hibernating for eons. The streams and waters did not flow, their waters lying stock still like those of a lifeless lake. Yet, there were no unpleasant odours as one might expect from a place without any exposure to the winds. No, in fact, the air was filled with a light crispness of a morning in early winter. It was just that there was a complete absence of any movement- and therefore any sound, at all in this place. It was a place that was still and idling. It was a place that seemed entirely frozen in time.
Moonlake’s Lyrics (23)
I recently heard this song on a game show and thought I would the share the following lyrics that celebrate friendship. The title of the song is simply “Friend”.
Here goes:
*All these years all by myself
Passed through winds walked through rains
Having had tears having made mistakes
Still remember what to persevere for
Having genuinely loved only then do I understand
One will get lonely will look back
I still have a dream I still have you
In my heart
#Friends walking together for a lifetime
We don’t have those days anymore
One spoken sentence a lifetime
A lifetime of affection a cup of wine
My friend I’ve never been lonely
You will understand when I say my friend
There’s still wounds there’s still hurt
One still has to go on there’s still me
Repeat *###
One spoken sentence a lifetime
A lifetime of affection a cup of wine
Moonlake’s Book Discoveries- June 2016
Due to my involvement with the ePub, I had mainly been reading short stories or Agatha Christie mysteries.
Short story collections
Wonders of the Invisible World by Patricia McKillip
I like her prose which belongs to the flowing school, what others potentially call verbose. I’m generally a fan of such a style and that’s the main reason I’m such a die-hard fan of Tolkien. Btw, to me, Tolkien is not verbose, it could be lengthy, yes, but the words are well spent because they convey very evocative images of the atmosphere. But then again, that’s just my personal opinion.
A couple of the stories contain elements of female-centred romance at their core which I’m not such a fan of despite my own gender. I love fantasy because of the opportunities they provide me to get immersed in awesome lore and otherworldly culture. In particular, epic fantasy is my one true love because I have a bit of a philosophical bending and I love to read about human truisms reflected in the action of characters in an epic fantasy. But overall I still the writing style of the author. It’s a pity, though, that I won’t be able to read more of her work since my local library doesn’t stock any of her standalone novels or series.
Prickle Moon by Juliet Marilllier
Not that I can pinpoint exactly why but the writing style of the author doesn’t really captivate me in a general sense. There are a few stories among the 14 here that I like but mostly I’m quite indifferent to most in this collection.
Hall of the Lost Footsteps by Sara Douglas
What makes an impact on me from this short story collection isn’t any story included in it but rather a piece include from this deceased author’s blog entry titled “The Silence of the Dying”. I would highly recommend that people look it up just to get a very relevant perspective on how our society is get shaped into.
Sword of Destiny by Andrzej Sapkowski
I like this translated work mainly cos it stars the separate adventures of a single protagonist and thereby I get to read up on a bunch of related stories. This is probably more my idiosyncrasy as a reader cos I tend to enjoy longer works that allows me greater immersion into one setting.
Elric of Melnibone and Other Short stories by Michael Moorcock
At first, I feel a little weird about this book because in one of the short standalone story early on, the author keep putting in all these side-line notes to his illustrator or whoever that he gets from his background as a comic writer that continuously pull me out of the moment. But I really like the novella in here. In particular, I like the setting very much. The main character Elric I’m okay with it in the sense that I think he has interesting dynamics but I’m not crazy about him.
Crossroads and other Tales of Valdemar edited by Mercedes Lackey
A little surprisingly, I find that overall I enjoy this short story collection which I originally felt was leaning too much on the YA side and plus I previously read another of Mercedes’ work in a short story collection containing three pieces by three different authors and I don’t particularly enjoy her writing style nor despise it. But I find that the pieces actually included aren’t too childish for my taste at all and as is my wont, I really like inter-related stories whether through the same characters or the same setting. I won’t say any particular story is spectacularly written but there are a few that I think are solid pieces of work.
Novels
It’s been an Agatha Christie period for me since I want to do light reading only. And I realised after I got back into her work that really I think I wronged her a little when previously I wrote about her in Moonlake’s Reading Tastes and that’s because back then, I haven’t read her for a while and really forgotten about how she’s like as an author. But really, I think she deserves to be known as the Queen of Crime because her books are plot-centric and I personally feel that plot-centric mysteries are the ‘pure type of mysteries’ that I really enjoy as opposed to work by newer authors that are character driven. That’s my own reader taste but there it is.
I read the following books by her (or based upon her work):
Poirot Investigates
This is a collection of a bunch of cases starring Poirot. Pretty good light reading.
Unexpected Guest
This is a novelisation of her theatrical play so technically it’s not by her. But the author didn’t do a bad work in my opinion. I didn’t like the end as being too melodramatic and suddenly turning in the direction of a love drama but I can see that it would potentially have great impact in the theatre. After all, that’s what the story was originally written for.
Death on the Nile
Her classic big surprise at the end got me and I’m the type of reader who is glad of such a thing. Not one of her work that I really admire but not bad. Plus it taught me a little trick of how to bring in pitch into dialogue.
They came to Baghdad
I rather like her description of Baghdad and I actually got a good picture in my head of how it was like in her era though that is partly attributable to the fact that I’m Chinese. Plot-wise, had a few pleasant surprises for me but it’s another one of hers that I sorta liked but don’t really love.
Incomplete Reading
Warriors edited by George R. R. Martin
A short story collection based on the theme of warriors but spanning across genres. I tend to like the stories contained in this volume a fair bit compared to all the others I had actually finished above. I actually find two female authors that I would rather like to follow, Robin Hobb being one. I didn’t finish it but I will re-borrow from my local library at a later point in time.
The Inheritance by Megan Lindholm & Robin Hobb
I only got to the Megan stories and didn’t really enjoy them. They are still solid pieces of work but still don’t speak to me as a reader. Didn’t get to the Hobb stories and so another tagged for re-borrowing.
The Mistborn #1 by Brandon Sanderson
I got high recommendation for this series from multiple sources but apparently I don’t really like Brandon’s writing style. Or actually, I should say I don’t really like his writing style for the main text, I rather enjoyed the snippets he put before the start of his Chapter to do with world lore. I only got to Chapter 8 or thereabouts and really, I felt like I was reading a new form of spy thriller/fantasy. Then again, I’ve been addicted to Mainland Chinese TV drama of spy thrillers and maybe I was just seeing everything from a spy thriller lens.
Overall, not sure whether I will re-read this but might if I become desperate of having a fantasy series to read.
Moonlake’s Writing Updates (5)
Firstly, I’m still working on my story Thread and will be doing so for a while now. I’m now up to draft 3 on Thread part 2 and just starting on it. There’s also now going to be a part 3 which basic plot I just ironed out this morning with the help of my collaborator on the Labor of an Empress, a short story published in issue 1 of the Excursions from the Citadel, an anthology series composed of my work and that of 2 other authors (I’m saying this for the benefit of my new follower and those who are just passing by this blog). We two are now going to collaborate on part 3, the grande finale to Thread.
Secondly, I will be exiting the Excursions as an author after issue 3 but will stay as proof-reader and general commenter for the contributing authors. I will be taking a short break from short stories to do some of the writing challenges commitments I had set myself in relation to Citadel retro quests but after that I will move onto writing novellas on the main and my own solo venture. The reason I’m doing this is that I feel that as a writer, I have a preference for writing a longer length of work with more complexity than a conventional short story should have.
Another development is that I will be doing a replication of a Chinese online novel for the purpose of challenging myself to writing a different type of protagonist that I had been writing. It will be mainly for my own development process as a writer and I won’t be publishing it. I got this idea mainly because I’m an economics researcher and in research, replication of previous studies is often a first step in the research process. Also, while I don’t think short story writing is really for me, the epub has been a valuable opportunity for me to learn about myself as a writer and spot my own strengths and weaknesses. One of my weaknesses have been characterisation and so far all of the stories that I have written or attempted to write have had weak protagonists. Therefore, I’ve decided to pick a novel with a strong protagonist so that I can be more versatile as a writer. I picked a Chinese online novel that I had been reading recently which contained a strong female protagonist that I personally like.
That’s all for now, till next time.
Moonlake’s Meta Fiction (2)
Another of my meta fiction pieces, in fact this is part of the first piece I wrote for the Citadel when I first joined up as a member. It was intended for the Expand a 30 quest inspired by the fact that the Citadel have a large batch of submission that are 30 somethings composed of small interesting entries that are often worthy of expansion. This meta fic piece presents the background behind a particular set of hammer called Twin Lotus. It was an expansion of a short entry about a set of twin hammers with lotus-shaped heads that I wrote and which belonged to the 30 Hammers submission that was a collaborative effort between multiple members of the Citadel. Here it is:
In the Lu dynasty, there was a house of master smiths which is rumored to be descended from Liang Chu, the man who forged the great sword that the First Emperor, Hwang Ti, used to slay the great water serpent that was responsible for the Great Flood. As with any household that has a long history with a particular trade, every member of this household worked together at the forge, with the men being master smiths and the womenfolk helping out with some of the more menial but physically non-exerting tasks. It is in such an environment that a remarkable woman grew up, the rumored founder of what come to be known as Soul Craft.
Like other womenfolk in her household, this woman routinely helps out at the forge except where the others do so out of family duty, she is drawn heart and soul to the craft. Yet, like the women of her era, she is resigned with the expected role of females in society and does not dare speak of her dream of taking up the family craft rather than waiting to be married off to a family of similar caste to her own. Secretly, however, she observes her father and brothers at work and practices her smithing skills at the forge in the dead of night when her families are asleep, all the while waiting for and dreading the day when she will be married off.
Fate, however, intervened on her behalf. Through an undetailed event which left her household bereft of all the menfolk, she found the opportunity to take up the family craft. With the full support of the rest of her family, she masqueraded herself as a nephew of his father- the alternative to this would be for the whole family to starve or selling some of the daughters into a brothel so the rest can survive. Thus she became the master of the forge and in time expanded the fame and prosperity of her household to even greater heights than the days of her father. Her forge becomes the largest in the Dragon Empire and is renowned throughout, with youths from everywhere coming in the hopes of gaining an apprenticeship with her. So her story might have ended with her real identify never known to any one but her own family. However, as a master craftsman, her desire to reach the “perfect state” in her craft is so insatiable that soon she feels herself increasingly frustrated with her own inability to progress her craft further.
In the later years of her life, she often worked in the forge for an extended period of time without food and sleep, attempting to create the weapon of perfection. This continued for quite a number of years. One day, it was recorded, her apprentices suddenly heard such a loud exclamation of joy that they all stopped in the track of the normal bustle of activity to see her standing triumphantly, holding in her hands a pair of hammers. Then, to the shock of all of them, this remarkable woman collapsed. Her spirit, in departure, showed her true feminine form and with the most serene satisfying smile on her face, fled to the afterlife. The apprentices gazed upon the hammers in awe and all, with certainty, felt the essence of their mistress within them. This pair of remarkable hammers was put in a place of honor in the forge and remained so for many generations. Unfortunately, the Lu Dynasty soon ended, followed by a period of civil war, during which the forge was demolished and the pair of hammers disappeared.
It is believed that this pair of remarkable hammers is the first of the Soul Constructs created by a master craftswoman. Nowadays, there is no written record of what the pair of hammers really look like. However, given that the craftswoman is a devout follower of Buddhism and many of her work in later years also revolve Buddhism themes, it was speculated that these remarkable hammers might have a religious touch to them.
Moonlake’s Lyrics (22)
Today I want to share the lyrics of a song sung by one of my favourite HK actors who is also a singer. The title of the song is called “Have never possessed” and I like it because it feels like a reflection on life by a protagonist to me and I really like the ending.
Here it is:
Have never possessed Never ceasing to struggle in this life
Do you know that I forever lacks freedom?
Have never possessed And emptiness is never ending
Taking over everything
Have never possessed There happens to be an abyss between me and happiness
How to take issue with witnessing the passing one’s most loved?
Have never possessed I am only suited to a life time of sadness
Which will overshadow the few wisps of love I have
*Who makes reality constantly push me every second?
Who makes you strive hard without rest?
Tears dripping onto my heart
And yet smiling whilst struggling to contain my sadness
For the purpose of survival humans have to have courage to fight to the utmost
To accommodate such a poignantly sad tempo
So that when recounting the past in the future
There is no need to regret the past
Have never possessed One never ceases to lose and owe debts in this life
How does one erase every bit of hatred and sadness?
Have never possessed A life time of happiness and laughs have ended
I turn and walk away Not regretting the past
P.S. I’ve neglected this blog again for two weeks because I’m trapped in yet another round of revision for my short story Thread. So today is another ‘big giveaway day’ when I’m going to post up two posts in compensation.
The Short Story and Me
So I’ve disappeared from the blogging world for 2 months and during that time, I was occupied by the revision for part 2 of Thread, my fantasy story based on an ancient Chinese setting published in issue 1 of Excursions from the Citadel. And now I’m onto the second round of revision for it. The number of participating authors in this venture of ours has now expanded to 6 from a basis of the circle of 3 including myself and it’s an outcome that I’m really happy about. Yet, lately I’ve been reflecting about the short story form and myself as a writer. And this is essentially what this post would be about.
I’ve previously blogged about why I write and now I think I should describe myself as a writer to put things into perspective. First point, writing is essentially self-expression to me and as such I don’t handle constraints very well. This includes the need to include specific elements, specific word counts, specific timelines etc etc. I’ve learnt to conquer the difficulty of specific elements encapsulated in a set theme that we have for this epub as reported earlier but I’m completely hopeless when it comes to time pressures (and we are aiming for quarterly publication though issue 2 has already been pushed back solely because of the need for revising my piece). I consistently overestimate my own speed at finishing a short story in the first place or revising it. I’m also likely to get very grumpy when I feel time pressure acutely because I have a high standard for my own work and I want to achieve a set standard in my mind. Secondly, I have by now a fair bit of experience by now with producing what I call “articles in prose” that is the main type of writing that we produce at my virtual writer’s home- the Citadel which tend to be around 2000 words. Dream-wise, I’ve always wanted to produce a fantasy series LoR style based on my Dragon Empire setting (fantasy ancient China essentially). And to be honest, short story is something that fits in between these two form, a form I felt awkward to deal with. Hence, my abandonment of the story that I had months on half way during the first issue. A third point is that I have a weird mixture of obsession with planning and impatience to start writing. Specifically, I can’t just have a vague idea in my mind and then start writing spontaneously, I have to do some brainstorming and planning first. And yet, after a certain point, I would get impatient with planning and jump straight into writing. For the short story, that is sometimes not a bad approach. I have previously blogged about how part 1 of Thread is such a joy for me to write-as-I-go. But sometimes I feel I am under-planning stuff. And all these that I’m sharing about myself is only the prelude to say that I think I prefer writing either a novel or something not considered publishable material but rather background information about a fantasy world but in prose is my preferred format of creative output.
Having said the above, I’m now going to go through the benefits of writing short stories/being part of this epub venture that I have personally experienced so that I capture both sides of the story. The foremost benefit is that it keeps me in practice. Sure, I have my bad days where I can’t even go beyond 100 words in about an hour (I write on train trips from and to work now that I’ve gone back to FT work) but I would definitely not have the two stories associated with my name that was published in issue 1 if I wasn’t part of this venture. While I sometimes feel very stressed with the pressure to contribute stories to this epub, I have to admit that it is such pressure that actually push me to not give up. While I could get practice via the Citadel too, there I can give up any piece with no consequence whatsoever and I don’t enjoy this luxury with the epub. Also, much as I don’t find the short story form to my preference, it is closer to the novel form than what I got to practice at the Citadel and so for nothing else, writing short stories would improve on my ability to plan a story and everyone following this blog would know that I’m big on planning. Plus I landed myself a long term collaborator who was the one who got me back into this enterprise after I abandoned it due to a complete stall that I just talked about. He stepped in to brainstorm with me on some loose ideas that I subsequently got but couldn’t get much further by myself. And he did this when we didn’t even know each other that well. I’ve told him already but I would like to say it again here: Thank you, you really were my saviour in getting me back into the venture with our collab piece, and you’ve been always available to me when I need support. Also, thanks for becoming the first fan ever in this world of Thread.
By the way, what prompted my reflection was that I’ve been feeling disenchantment and general fatigue with this epub venture due to a number of reasons. I had considered withdrawing from the enterprise entirely but now I’ve found a way for myself to be rid of the time constraints and so I will be fighting on.
Never give up, my fellow writers out there.
Moonlake’s Meta Fiction (1)
Today I’m supposed to post my Book Discoveries for March but since I’m committed to finishing off a short story before the end of next week, I think I might have to delay the book post until the end of this month. Today I’m going to recycle one of the meta fiction pieces I have written and posted up in my writers’ home at Strolen’s Citadel. The meta fiction doesn’t stand on its own so I might as well re-post the whole submission. The meta fiction is the block of text with a blue background.
The War Drum of Oyr
Description and Properties:
The War Drum of Oyr looks like a conventional war drum made specifically for one player. It is only special in so far as it was made from the skin of Oyr the One-Legged Cow and had inherited the full power of its Call of Thunder. An enchantment laid onto it by a mage of later ages unearthed its full potential- to compatriots and allies, it can reverberate at great distances but always at a suitable volume to uplift their spirits; to foes, none can escape from its beat of doom no matter how far away they are. Some rumours say that the Drum also has the effect of driving bovines within a large radius to wrathful stampeding.
Yet, the War Drum has been long lost. Therefore, it is uncertain to what degree the added enchantment has worn off or if it has expired altogether.
Lore:
The main debate between sages on the War Drum of Oyr is neither over its construction nor its whereabouts- both are unknown and it is as simple as that. Instead, they argue incessantly about whether Oyr is a unique creature come into being before the ages of time or it was a conventional cow which accidentally swallowed a Shard of Storm and became the creature that legends describe- a one-footed cow four times as large as any conventional cow which can emit a sound like thunder.
Now, you want to know about its construction and possibly its whereabouts? Well, let’s see what scattered accounts there are in the form of colourful local lore and tales from grandsires. There are lots, in fact. They’re not as trustworthy as the words of sages and oft conflict with one another- not that sages don’t- but it’s a hobby of mine to keep track of such rumours and tales revolving around legends. So that I can form my own personal conjecture over the truth. It will probably never come to light, the truth, but one can find one’s enjoyment by seeking to tease out what it could be.
Where shall I start? Let’s start at the beginning. Curiously, the earliest tales recorded of the Drum’s construction was some time after the Great Exploration. And as we all knew, the Great Exploration brought back many artifacts from foreign origins. It might be pure speculation on my part- certainly, no sage had ever entertained the possibility before. At any rate, as many as eight or maybe even more kingdoms claimed that their founder played an unequivocal role in the construction of the War Drum. And yet, there wasn’t a single rumour or family tale floating around of the actual crafter of the War Drum. I find that another curious aspect and it just happens to match up so well to that speculation of mine.
More on the stories about construction themselves? Let’s see. As many as five kingdom’s founders were a great hero and counted among their exploits the deed of having slain Oyr the One-footed Cow though so far as I can see, there is nothing that Oyr had done which qualifies its slaying as being a heroic deed. Ah well. These great heroes tend to be an impulsive lot, slaying anything that doesn’t fit into their mold of conventionality. Wait, there was one among them who claimed that it was the decreed of some obscure immortal who showed him that it was the sure way to defeat his villainous foe. But we only have his own words for that. Then, two others chanced upon- or rather were directed upon by divinity- on the carcass of Oyr. The last is the ultimate showcase of the hubris of humankind, in my opinion. It claims that Oyr itself willingly gives up its own life so that its skin can be used to construct a war drum that will forever ensure that the Righteous triumph. What nonsense, there has never been a single war waged in the name of true Righteousness throughout the history of humans! For the ambitions of single men or as a last resort to violence when two interests irreconciliably clash! That’s what all wars come down to, ha!
Where is the Drum now? Well, foremost there is the claim that it is buried with whichever kingdom founder that really has an instrumental role in its coming into being. That clearly turned out to be false for some of these claims. Which ones I don’t know and am not that interested to find out. Then, there is the legend about the War Drum being restless in mortal hands and never willing to stay with a single mortal beyond several uses, sometimes just one. Of course, war drums had come into fashion over the last few centuries. Enchanted ones made by Hiter musician-wizards abound now. Somehow, these artifacts were being mixed up with the War Drum of Oyr itself and we now hear colorful tales of some of these more special war drums’ histories being passed off as the history of the Drum of Oyr. I have chased down a few false trails myself but it is too early to proclaim that I have found the single true path.
And that’s all I can say at this stage. Now, if you will excuse me, I have some references that I would like to find for another of my conjectures over the buried truths of history.
Character Sketches (3)
This is the last of the character sketches based on the prompt of Feeling Tearful amidst a Misunderstanding:
“I will transfer a million to your bank account right away.” He said coldly and the words reverberated in her ears like a gong.
She felt moisture welling up within her eyes at the same time a mass of weight materialised within her chest. Here her reflex took over and she inhaled deeply. That made the weight within her chest curl into a little ball and pressed this ball down within her body until she couldn’t feel it anymore. It also arrested the tear drops where they were. She was not going to give satisfaction to one who could so wrong her as him. Not in this way.
She felt outraged. How could her? What had she said? Merely that being able to physically roll in money won’t be bad, and that only in a joking voice, and he threw money in her face like that? How dare he!
To be honest, I had great difficulty with this particular combo and while this exercise was supposed to be impromptu in nature and the whole passage should be written in a single train trip, I had such a difficult time writing up this passage that it ran over two train trips. I think there are some awkward expressions above that I can’t even fix when I’m typing this now so ah well.