Revived jigsaw passion

So some time this year, my passion for jigsaw puzzles has been revived. These are the three redone puzzles that I had completed:

I have a fourth one laid out on the coffee table that I have been neglecting for a week now. And this is the last one I will do before I leave for Europe in May (I didn’t take it very well but there is really nothing to see since I haven’t even got the borders done yet):

Moonlake’s Book Discoveries: March 2024

Mystery

The Mercenaries: Blood Diamonds by P. W. Storm

It’s a complete mystery to me why this is filed under fantasy on my local library catalogue and this is the ebook catalogue nonetheless. The book cover also doesn’t speak fantasy either. Technically this is not a mystery like I usually read but a thriller about a job by a mercenary group and yes, the title speaks it all but the book itself has nothing to do with the Hollywood movie except it features blood diamonds. 

For the book itself, I find it okay as in a solid read but I can’t say much more about it. 

Cry Me a River by Nancy Holder

I somehow thought this would be more supernatural mystery but not really. It just reads as a straight mystery with religious vibes. It’s okay though, just not sure that it’s really my cup of tea. It does have the central case that keeps me reading till the end but I feel like the other stuff in there is a bit too cluttered for my taste. 

The Body in the Bookcase by Katherine Hall Page 

It’s okay for a cozy mystery- pace is pretty snappy and there are a couple places of good high tension in this book. 

A Deadly Chapter by Essie Lang

The fact that the protagonist is co-owner of a book store at a castle appeals to me. The writing is solid but not quite memorable. 

Down to the Sea by Sue Lawrence

It is a parallel storyline mystery and I did think the earlier storyline was more engaging but the two storylines converge nicely and we had a quite nice bit of high tension right towards the end that counters the relatively cozy pace all throughout the novel. I feel like the cozy mystery sub-genre is perhaps growing on me- I know I used to like more plot-driven or past-faced mysteries. 

Last Look by Mariah Stewart

The premise is rather intriguing: an old murder case has been blown open when the body of a girl who was supposed to have died in the 1980s turned up as a murdered prostitute. The main character is the daughter of the FBI agent who investigated the original case. So far, in the string of mysteries I’ve read this year, I feel like this is the first one where I feel like following the protagonist. 

Tide of Death by Pauline Rowson

This is the story of a murder case but also a police officer who was framed and has a personal vendetta on the ringleader of an exclusive sexual club. I find the book quite engaging throughout. This is another potential series that I might want to follow. 

Fantasy

The Bear and the Nightingale by Katherine Arden

This is the first Russian fantasy I have read and it does bring a touch of freshness to this well-loved genre of mine. I find the plot engaging and the protagonist is driven enough for one to be engaged with her story (personally I can’t say I really like her but I don’t dislike her either). Overall, a well written novel. 

Currently on the borderline on whether I read the next book of the series. 

Northern Lights by Phillip Pullman

I had just started this today so nothing much to tell yet. 

Historical Fiction

The Sword Song by Bernard Cornwell

So I went back to this series featuring Uhtred rather than continuing with the Russian fantasy series. There was some brief disorientation with characters but I conquered it rather easily. I still like this fourth book of the series and see myself continuing it until I think the seventh book (I did snoop into the blurb of most of the series, I think this was the second natural stopping point). 

The Burning Land by Bernard Cornwell

What I like about this series is that the core struggle for Uhred has stayed the same but new twists keep being introduced such that you never get tired of reading the same thing over and over again. I’ve enjoyed the fifth book of this series and will continue with the next book. 

Death of Kings by Bernard Cornwell

This book seems a bit of a turning point for Uhtred even though the core struggle reminds the same. As I’ve said before, I intend to go on to the next book and there I will assess whether I want to continue reading the later books. This book itself is solid work by the author, a continuation of this series. 

The Pagan Lord by Bernard Cornwell

This is the novel where Uhtred has come the closest to his personal goal. I thought this is a natural stopping point for this round but it seems I am wrong. Overall, I do like this continuation. Onto the next book.  

Upcoming European trip in May

Not sure if I had mentioned it before but I will be gone to Europe on my annual overseas trip with Mum in early May and back in June. We are visiting Italy, Switzerland and France all in one-go to save on airplane fares since we are never taking budget flights. 

Below is the skeleton of our trip itinerary: 

Day 0: Flight from Melbourne

Day 1: Vatican City and small portion of Rome and trying to compensate for sleep deprivation/jet lag

Day 2: Rome 

Day 3: Florence

Day 4: Pisa & Siena day trip from Florence

Day 5: Day trip to Cinque Terre from Florence (didn’t realise the travel time involved and I would advise against it because it’s basically 5 hours return trip by train, then again I don’t think many of you would take the “fixed hotel for at least 2 days and take day trips” strategy when traveling that Mum and I use)

Day 6: Venice and half-day trip out to Burano 

Day 7: Day tour for walk around Venice, Basilica San Marco, Doges Palace & Gondola ride

Day 8: Zurich (long train ride so only half a day available to tour Zurich)

Day 9: day trip to Lucerne from Zurich

Day 10: Thun

Day 11: day trip to Spiez from Thun

Day 12: Interlaken and Brienz 

Day 13: day trip to Lauterbrunnen and Murren from Interlaken

Day 14: day trip to Wengen from Interlaken 

Day 15: Lausanne

Day 16: day trip to Gruyeres from Lausanne

Day 17: Annecy

Day 18: day trip to Menthon-Saint-Bernard and Tallories from Annecy

Day 19: Lyon

Day 20: day trip to Vienne from Lyon

Day 21: Paris partial walk-around and day trip to Versailles

Day 22: day trip to Giverchy (Monet mansion and gardens) and Vernon from Paris

Day 23: day trip to Amboise and Chateau Chenoceaux from Paris

Day 24: Paris walk-around and night flight back to Melbourne 

Now, as for this blog, it likely won’t be affected. I will have all the post scheduled before I go and you won’t notice my absence at all. I also have a short trip to Asia (HK and Shanghai) planned in October and I’m not sure whether I will call for my birthday leave from blogging yet. 

Also, stay tuned to my posts in June about my actual experiences for the European trip outlined here. 

Chinese Lore- a selection of mythical fauna (18)

Ge Ge Fish

Physical Description:

A carp-like fish with six feet and a bird’s tail. The sound it makes is Ga Ga.


Ze Fish

Physical Description:

Looks like a crucian carp with one head but ten bodies.

Special Properties:

It smells like a fragrant herb with a similar smell to fragrant angelica. Consuming its meat makes you not fart.


Yao

Physical Description:

A bird that looks like wild duck but with an indigo body, red eyes and red tail feathers.

Special Properties:

Consuming its meat improves fertility.


Pan Mao

Physical Description:

A crow-like bird with a human’s head.

Special Properties:

It is a nocturnal bird. Its meat is a cure for heatstrokes.

Cracking the Omniscient Voice

I have been making some attempts at ‘cracking’ the omniscient voice in that I wanted to try to dip my hands into writing in that voice even though I won’t be using that particular for a long time (the truth is that my WIP has quite a long way to go still but I do know that it doesn’t go with the omniscient voice). If you followed my blog, you would know that they included the following:

  • Analysis of two books that I thought were written in omniscient but were not: Under the Heaven and the Bluest Eyes. They are narrated through a voice that sounds quite omniscient though and I think that’s where the confusion lies. Among them, I had actually typed up the whole Under the Heaven in G Docs and annotated each chapter. It took me a while (it served as partial procrastination because I tagged it as one of my writing&related tasks) and I got zero out of it in terms of omniscient but it was not a wasted exercise at all because it taught me where tension can come through a scene subtly. And being Chinese, I do have a personal fondness and a natural inclination towards subtlety. 
  • Writing up an old game that my gaming group played (Adventure aboard the Chen Xing) and had brought to conclusion: I don’t think I had done as much work on it as I ought to. Instead, laziness pretty much set in and it seems like all I changed around were mainly the pronouns. Except for the first chapter where I added a bit of colour of my own. I remember showing it to my gaming group and receiving likes on that aspect
  • Translating a Chinese novel written in omniscient into English: like my gaming novella I probably should have put more effort into it. As is, my focus is each session is on the translation rather than the omniscient voice. I did go back to some of the earlier chapters to smooth out language but it’s still not quite the foray into omniscient voice that it could have been

The way forward, I’m still continuing with the last dot point. And I won’t be able to cross-post this exercise on the blog because it doesn’t seem right even if I accredit the original author and I’m not going to reach out all the way to mainland China to ask for permission. 

A self-reflection on Youth

This is a piece prompted by a song that I’ve searched out to listen to the day before yesterday on Saturday. It’s a Mandarin song and my rough translation of the song title is “Betrayed Youth” even though a more correct one would be “the Youth we Turned our Backs on”, which seems too much of a mouthful. 

Anyway, for the purpose of context, here’s my manual translation of the chorus:

Would you forgive me? My arrogant youth

Running blind

dancing in the dark 

The boat you jeer at will dock 

Would you forgive me? My youth that lacks for my companionship

The greatest pity is that you use the last distance

To witness my restless departure 

Full of apology 

….

Would you forgive me? My arrogant youth

Running blind

dancing in the dark 

The boat you jeer at will dock 

Would you forgive me? My youth that lacks for my companionship

The greatest pity is that you use the tactful distance

To safeguard my anxious departure 

With no return date ever 

Would you mock me? My childish youth 

Arguing with wooden swords

Falling because of dignity

For the things that I cannot back down on 

I never let go of even if I had to gnash my teeth 

Would you forgive me? My youth that I have turned my back on 

How much have I compromised

among the packed crowd

Until I have not gotten anything 

Would you forgive me?

Would you forgive me?

My passed away youth 

So actually before this song I had been reflecting a bit on my youth and I’ve come to the conclusion that mine isn’t the typical youth, at least not the youth as portrayed in popular culture- full of adrenaline and passion, characterised by youthful follies, a ruthlessness in pursuing dreams and a high degree of self-centredness. Mine, like my life overall, has always been a calm and ‘lukewarm’ existence. Maybe it’s my personality or my own unique take on life, but I didn’t really go through a youth rebellion phase when I was actually a youth and instead had a rather late onset of it coming on in my 30s. 

Anyway, I don’t think I’ve ever regretted any of my youth. While I think this song might be more poignant for those who have, I feel like it is really about making peace with your past which I think everyone can relate to. 

Writing updates- Feb 2024

This is now my second round at my male protagonist (the first round was abandoned somewhere in Act 2 when I felt like I haven’t really gotten back into him so I started from scratch) but the truth is I’m so much into my procrastination mood (I’m a bit tired with the reiteration approach that I’m taking with this novel too, I guess. I think I’ve got up to the stage where I felt like I had re-read the bits I’ve written up at least 10 times and feeling a bit sick of reading them again and again) that I’m not sure that I had gotten back into the story any better this time around but at least I went past where I decided to call a stop and go back to the start the first around. So I’m not sure whether that counts as a positive but let’s call it that for now. 

Again, I will finish this iteration and see how far that takes. Then I think it’s time for an assessment on the WIP. I’ve trying to cut down on such analytical periods because I’m feeling like they are a method of procrastination on my side. On the other hand, I am a bit lost on this novel right now and for someone with an analytical mind like me, I have often come to some clarity after such analysis. So we will wait and see. 

As I’ve said time and again, onwards!

Competition between Reading and Writing Fantasy

Let me preface this post about the following context of my reading which might or might not be new to those of you who subscribe to my blog: my foray into fantasy dated all the way back in the period before sub-genres were a thing. Back in those days, I would just say I read fantasy and be done with that rather than having to say that I read epic, high-magic and sword&sorcery fantasy. And while it is true that I read all three sub-genres, epic fantasy tended to be my main staple while the other two sub-genres were what I called light reading. 

Now, fast forward to the last 5 years. I’m almost done with epic fantasy or it has become more of an occasional foray for me. Why? I seem to have outgrown most of my comfort authors for fantasy overall- authors whose works I followed more or less diligently though still subject to my own whims. Also, epic fantasy as a sub-genre seems to have shrunken from being the predominant category within fantasy to being taken over by YA fantasy (not saying they can’t co-exist in for example Tamora Pierce but mostly they don’t tend to co-exist and while I dabble in YA fantasy, I’ve always been lukewarm towards this sub-genre because that’s the way my taste runs) so I feel like I have to sift through thousands of blurbs on my local library catalogue in order to find one that interests me personally. And lastly, I seem to have reached a point of exhaustion with the sub-genre due to a combination of needing to find new authors to fill the gap of my comfort authors or what I felt was a kind of overwhelming fight against publishers’ effort to publish to trends eg. turn previously high magic settings into low magic and flood the market with YA fantasy etc. 

And on top of all that above, I’ve noticed that epic fantasy is the one genre that easily creeps into my writing. And to be honest, I’m not even writing epic fantasy myself. I mean, I seem to be always writing about a largish party ala old epic fantasy but I’ve noticed that my plot always has an underlying theme revolved around family relationships so I’ve as yet not really been able to classify it into a sub-genre yet other than dubbing it Chinese fantasy. I first noticed this when I was reading Tad Williams and the Dragonbone Chair which I ended up not finishing, not because it was not well written but I just didn’t feel like continuing with it after the first section. It might also have something to do with the fact that I realised that I could possibly learn from a certain section of the story because I knew that my story occurs in a similar setting and I’m not sure whether this kind of deliberate intention on my part ruined my reading experience (as a rule, my first reading experience is as a pure reader because reading is still one of my primary leisure activities so I wondered if thinking about learning from a certain novel ‘ruined’ my usual frame of mind when reading). 

At any rate, if you tracked my reading in recent years, I think Robin Hobb is the only epic fantasy writer that I had read but to be honest I didn’t really feel that she’s on the same scale as for example LOTR. I did enjoy the Soldier’s Son trilogy and the Liveship Traders trilogy from her because they both bring some freshness to the epic fantasy genre and they do tell stories bigger than your one point-of-view or two points-of-view stories but there is a very clear divide in my mind between them and old classics. 

As of the time of writing I’m not quite sure where I’m going as an epic fantasy reader. I still remain a fantasy reader in general but am dabbling more and more into historical fantasy or straight historical fiction.

Remarkable Women in Ancient China (20)- Empress Deng Sui 

Who is she:

  • One of the renowned female politicians from the Han dynasty

Notable Life Events:

  • Born in 81 AD, as daughter of a military official in a region bordering one of the prominent nomad groups of that era 
  • When she was only two, her father was removed from his position due to acquaintance with a relative of the Emperor and the whole family moved back to their ancestral home 
  • When she was five, her grandmother cut her hair for her but due to poor eyesight, accidentally injured her forehead and she did not react. When asked about it, she claimed that she did not want to make her grandmother feel bad because she cut her hair for her out of love
  • She could read from the age of six and became well versed in two texts already by the age of 12. She was very interested in books but her mother chided her for not learning a woman’s duty so she learnt to sew by day and read by night. 
  • In 92 AD, she was chosen to enter the Imperial Palace as a prospect concubine for the Emperor and males of the royal line but this had to be postponed for three years because her father died soon (the custom at that time dictated that children had to hold off marriage for three years after the death of their parents) 
  • In 95 AD, she officially entered the Imperial Court and started learning from Ban Zhao (link) in not just the classical texts but also astronomy and mathematics 
  • In the winter of 96 AD, she was chosen as a concubine by the Emperor He of the Han Dynasty after he chose his Empress in the spring of that year 
  • In the summer of 102 AD, the original Empress was deposed by the Emperor and Deng Sui was chosen as the new Empress 
  • In the year 105 AD, Emperor He died. His eldest son had a chronic disease and could not ascend the throne while the younger princes have all successively died. Consequently, Deng Sui made a three-month baby the Emperor and effectively ruled in his stead under the title of “female sovereign” for 16 years
  • During the 16 years of her reign, she
    • conquered ten years of the most severe natural disasters in the eastern Han period
    • defeated pirates and the threat of multiple nomad groups and even managed to expand territory 
    • participated in the refinement of the paper making art by Cai Lun (the type of paper he made was credited as one of the Four Great Inventions of ancient China alongside the compass, printing and gun powder) and put Zhang Heng in place to build an astrology equipment and the very first earthquake detector (see pic at the top). 
    • Created the first ever co-ed school in Chinese history so that females can be educated outside the home
    • Ordered the first Chinese dictionary to be made 
  • She died in 121 AD

Why is she remarkable:

  • She was actually ranked as Best Empress by Chinese historians and it is clear that she had done a lot of good during her reign 

Moonlake’s thoughts on her: 

In the Chinese references that I had read through, she seems to be the archetype of a good woman- a very filial grand-daughter (the hair cutting incident) and a woman who knows her place and is not jealous at all (I didn’t mention this in my summary above but it was talked about in the Chinese references I consulted). But to be honest, I’m not quite sure how much of that is actually true or whether it was recorded in that way as to reflect the norm of that period. 

At any rate, she must have been highly intelligent, with a thirst for knowledge. It also seems that later she has put that intellect to good use. 

English Reference: https://en.wikipedia.org/wiki/Deng_Sui

She feels the river shift…

The jump-off line is from Some Feel Rain by Joanna Klink. 

She feels the river shift. She feels the mountain shift. Everything is always moving. 

She feels the river shift. She feels time itself shift. 

She feels the river shift. It is always shifting. 

She feels the river shift. Her childhood shifts and she cannot quite see it now. Everything is a haze, colours are no longer vibrant. 

She feels the river shift. The clouds shift overhead. Light shifts across the wall. 

She feels the river shift. When it falls aparts, she is standing on the shore. Seeing the chasm entering into being from one heartbeat to the next. 

She feels the river shift. The rocks under her feet shift. 

She feels the river shift. The grasses under her feet shift. 

She feels the river shift. A shifting ray of sunlight just dapples the wall. 

She feels the river shift. A wind rustles the branches, shifting them according to its tune.